TWO-VOLUME SET!Buy volume 4, I & 4, II together and receive € 20 discount.You only pay €109 instead of € 129! > Ce quatrième volume dans la collection dédiée aux écrits de Jean-François Lyotard sur l'art contemporain et les artistes contient neuf essais sur l'esthétique générale et la théorie de l'art. Ces essais sont publiés en français, la langue originale, avec les traductions en anglais. La plupart de ces textes, préservés à la Bibliothèque Littéraire Jacques Doucet à Paris, sont publiés en ce lieu pour la première fois. Ils ne manifestent pas un « autre » Lyotard que celui que nous connaissons de ses écrits majeurs. Mais ils couvrent l'entière période de sa production, de 1969 à 1997, et rendent le développement de sa philosophie de l'art plus explicite. Après la conception « libidinale » dans ses premiers écrits sur l'art, on constate chez Lyotard vers 1980 le « tournant kantien » qui place sa philosophie de l'art sous l'égide du sublime. Ces essais suggèrent ce que signifient, pour Jean-François Lyotard, la main du peintre tout comme le regard de l'amoureux de la résonance des couleurs.This fourth volume in the series devoted to Jean-François Lyotard's writings on contemporary art and artists presents nine essays on general aesthetics and the theory of art. They are published in the original French along with English translations on facing pages. Most of these texts, preserved in the Lyotard archives of the Bibliothèque Littéraire Jacques Doucet in Paris, are published here for the first time. They do not reveal ‘another Lyotard' than the one whom we know through his major writings. Nevertheless, they cover the whole period of his production, from 1969 to 1997; and they make the development of his philosophy of art explicit. After the ‘libidinal' conception of art in his early writings, the ‘Kantian twist' of around 1980 places his view on art under the aegis of the sublime.These essays specify what, for Jean-François Lyotard, the hand of the painter means, as well as the gaze of the viewer, enamoured with resonant colours.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
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Volume I of Lyotard's "Miscellaneous Texts" on contemporary art and artists, Aesthetics and Theory of Art, contains nine essays on general aesthetics and the theory of art. They are published in the original French along with the English translations.
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Table des matièresTable of contentsHerman Parret:Préface /PrefaceVlad Ionescu & Peter W. Milne:Textes en théorie esthétique présentés en résumé /Texts in Aesthetic Theory Presented in SummaryJean-François Lyotard:1 Peinture et désir1 Painting and Desire2 La peinture comme dispositif libidinal2 Painting as a Libidinal Set-Up3 Esquisse d'une économique de l'hyperréalisme3 Sketch of an Economy of Hyperrealism4 Par delà la représentation4 Beyond Representation5 La philosophie et la peinture à l'ère de leur expérimentation5 Philosophy and Painting in the Age of Their Experimentation6 Arraisonnement de l'art. épokhè de la communication6 Enframing of Art. Epokhe of Communication7 De deux sortes d'abstraction7 On Two Kinds of Abstraction8 L'inaudible8 The Inaudible. Music and Postmodernity9 Le fait pictural aujourd'hui9 The Pictorial Event TodayJean-Michel Durafour :Postface /Epilogue
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The fourth volume in the series Jean-François Lyotard: Writings on Contemporary Art and Artists contains 48 texts written by Lyotard between the early seventies and 1998, the year of his death. Nine of these texts are previously unpublished papers on general aesthetics and the theory of art. The remaining 39 essays deal with 27 specific artists: Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberger Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brogger, François Rouan, Pierre Skira Pastels, and Béatrice Casadesus. Many of these texts are notes or contributions to catalogues; some were published in nowinaccessible journals. The book is illustrated with ca. 60 images, mainly in colour, of works of art discussed in these writings.
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Produktdetaljer

ISBN
9789058677914
Publisert
2012
Utgiver
Vendor
Leuven University Press
Høyde
239 mm
Bredde
160 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet

Redaktør
Epilogue by

Om bidragsyterne

Herman Parret is Emeritus Professor of Aesthetics and Philosophy of Language at the Institute of Philosophy, Katholieke Universiteit Leuven. Hoger Instituut van Wijsbegeerte, KU Leuven