Cleverly constructed and elegantly written. It's both an engaging human story and a place for wider topical observations. Bring on Spring
Evening Standard
If Ali Smith's four quartets in, and about, time do not endure to rank among <b>the most original, consoling and inspiring</b> of the artistic responses to 'this mad and bitter mess' of the present, then we will have plunged into an even bleaker mid-winter than people often fear
Financial Times
Smith is a specialist by now in using a quizzical, feather-light prose style to interrogate the heaviest of material...throughout <i>Winter</i>, grief and pain are transfigured, sometimes lastingly, by luminous moments of humour, insight and connection... <b>Even in the bleak midwinter, Smith is evergreen</b>
Telegraph
A novel of <b>great ferocity, tenderness and generosity of spirit</b> that you feel Dickens would have recognised...Smith is engaged in an extended process of mythologizing the present states of Britain... <b>Luminously beautiful</b>
Observer
A sparkler...tune in to <i>Spring </i>and <i>Summer </i>to see if art can save the day
Spectator
<b>Graceful</b>... That <b>trademark mischievous wit and wordplay</b>, a joyful reminder of the most basic, elemental delights of reading ... Infused with some <b>much-needed humour, happiness and hope</b>
Independent
A capacious, generous shapeshifter of a novel taking in Greenham Common and Barbara Hepworth, Shakespeare and global migration, it juxtaposes art with nature and protest with apathy, finding surprising alliances in a family riven by feuds. It's a book with Christmas at its heart, in all its familiarity and estrangement: about time, and out of time, like the festival itself
The Guardian
Dazzling second instalment of Ali Smith's seasonal quartet
The Daily Telegraph
A book I can't wait to read for Christmas
The Observer
Relish this instalment
The Times