Produktdetaljer
Om bidragsyterne
Alejandro Zambra was born in Santiago, Chile in 1975. He is the author of two books of poems, Bahía Inútil and Mudanza; a collection of essays, No leer; and three novels, Bonsái, which was awarded a Chilean Critics Award for best novel, The Private Lives of Trees, and Ways of Going Home, which was awarded the Altazor Prize, selected by The National Book Council as the best Chilean novel published during 2012, and won an English Pen Award. He was selected as one of Granta's Best of Young Spanish-Language Novelists and was elected to the Bogotá39 list.Zambra is one of the writers of my generation that I most admire. Never a wasted word. Never a false note. His is an utterly unique voice, one I go back to again and again
- Daniel Alarcón, author, Lost City Radio
I've found myself rereading, trying to work out this short novel's intricate structure of gaps and holes
- Adam Thirlwell, Books of the Year, New Statesman
Complex yet sophisticated, the novel places Zambra at the spearhead of a new Chilean fiction. [He] weaves some of the continent's most difficult historical themes into an exciting modern art form
- Mina Holland, Observer
A brief, elegant novel of life and writing after Pinochet... Zambra cannot simply be pigeonholed as a "Spanish-Language" writer. His concerns and influences are broader, and [his writing] has a meditative, discursive timbre... Notable
- Adam O’Riordan, Sunday Telegraph
An achievement in pace, rhythm, and poetic restraint... With quietly disarming prose, Zambra captures the spirit of a people struggling inside themselves to tell - and, most of all, live - a better story
- Juan Vidal, 2013’s Best Translated Novels, NPR
Brilliant
- Adam Thirlwell, Books of the Year, TLS
Deceptively slight and finely wrought: both a wistful look at Chile's recent political history and a metafictional reflection on the nature of writing... Zambra is one of Chile's finest writers
- Matt Lewis, Times Literary Supplement
Manages, in its sparse, moving, constantly smoking cool-eyed Chilean way, to add up to a stark and timely study of fiction, truth, memory, secrets, sex, Pinochet and death... Wonderful
- Stuart Hammond, Dazed & Confused
A fascinating reflection on historical complicity, translated with restrained elegance by Megan McDowell
- David Evans, Financial Times
A thrilling novel from one of Chile's outstanding young writers... Zambra's tightly crafted work explores the themes of childhood, disappointment, and the impossibility of ever returning home
- Angel Gurria-Quintana, Financial Times
A work which is filled with the heartfelt vulnerability of testimony. I loved it and I read it with the great joy of anticipation that one has reading a writer one hopes to read more and more of in the future
- Edwidge Danticat,
Thought-provoking and inspiring... a captivating book
- Abi Jackson, Manchester Evening News
Zambra belongs to that rare species of writers that bring language back to life. The strength of this novel, its potency, is in the way it unfolds language in order to place its readers at that almost ungraspable intersection between individual and collective history
- Valeria Luiselli,
Zambra mixes fiction with reality... a brief but brilliant coming of age novel
- Thomas Quinn, Big Issue
Thought-provoking and inspiring, the book also echoes some of the author's own nostalgia of growing up during that turbulent time... Captivating
Yorkshire Post
Zambra at his best offers an intimate recognition of his central characters, and he can evoke a setting succinctly
- Richard Gwyn, Independent
Brilliant
Colourlines