What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? This title deals with these questions.

Cara Giulia: Mars and Venus Surprised by Vulcan, Tintoretto 1 The Snail's Gaze: The Annunciation, Francesco del Cossa 17 Paint It Black: The Adoration of the Magi, Bruegel the Elder 39 Mary Magdalene's "Fleece" 71 The Woman in the Chest: The Venus of Urbino, Titian 89 The Eye of the Master: Las Meninas, Velazquez 129 Illustration Credits 161 Index 163

One of Choice's Outstanding Academic Titles for 2014 "In six short essays, Arasse shows what it is to enter into the complexity of a work, inspect the nooks and crannies, and reject conventional wisdom."--Phillippe Dagen, Le Monde "The casual nature of [Arasse's] language cannot mask his tremendous erudition, all while emphasizing his ease in navigating within the pieces and his familiarity with the Zeitgeist."--Armelle Godeluck, Lire "[The chapters in Take a Closer Look] have the depth of scholarly essays and the irreverent charm of the best fiction."--Michele Gazier, Telerama "Take a Closer Look is an outstanding example of what is possible when the stiff formalities of scholarly prose are cast aside in favour of a more playful, imaginative approach... [A] delightful guide to seeing art with new eyes."--K. E. Gover, Times Higher Education "In this publication of work by the eminent late art historian Arasse, the author searches for the meaning of master paintings. He discusses details of work that are often overlooked, and thus provides descriptions of things usually not seen."--Choice

"Arasse was a terrific writer with a brilliant mind and this book is redolent with wit and intellectual authority. He has a wonderful way of asking questions, of taking the reader with him on his intellectual journey. In this case each journey begins with the problem posed by a single prominent old-master painting, and ranges widely from there across interpretive and historical concerns. The informal, speculative, and performative quality of Arasse's voice in these pages will help assure the book's wide appeal and accessibility."—Marc Gotlieb, Williams College