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Hanne Ørstavik is one of the most remarkable and admired authors in Norwegian contemporary literature. Her novel Love was voted one of Norway’s Top Ten books of the last twenty-five years. Her penultimate novel Ti Amo was published in English by And Other Stories in 2022. Stay with Me is her latest and sixteenth novel. Martin Aitken's translations of Scandinavian literature have appeared on the shortlists of the DUBLIN Literary Award (2017) and the US National Book Awards (2018), as well as the 2021 International Booker Prize. For his translation of Ørstavik's Love he received the 2019 PEN America Translation Prize.<p>‘Soul-searching on speed. Ørstavik writes with such distressing courage that as a reader, you become sweaty-palmed. <em>Stay with Me</em> is Hanne Ørstavik at her very best; so intense and profound that the unease becomes contagious . . . Above all, she conveys a spiritual openness that feels naked and vibrantly intense.’ <em>Dagbladet</em></p>
<p>‘Ørstavik demonstrates how a complicated relationship to a father can create patterns that are difficult to break free from or navigate later in life. The story of the relationship with M, which she enters into after her husband’s death, is among the best she has written.’ <em>Aftenposten</em></p>
<p>‘After finishing her novel <em>Stay with Me</em>, I think that she is the love theorist we need right now. The book makes me think, it disturbs me, stimulates me, affirms me.’ <em>Vinduet</em></p>
<p>‘Ørstavik continues her honest and heartfelt explorations of the innermost chambers . . In Ørstavik’s delicate, almost luminous prose, it becomes relevant and alive. Ørstavik shows us how long the journey to the innermost chamber can be; it can take a lifetime to get there. She handles the difficult subject matter with great care, and with this completely open attitude that makes you almost dizzy while reading.’ <em>Dag og Tid</em></p>
<p>‘Ørstavik’s body of work is among the most distinctive and literarily rewarding we have in Norwegian, something <em>Stay with Me</em> fully underscores.’Bjørn Ivar Fyksen, <em>Klassekampen</em>, The 3 best books of 2023</p>
<p>‘“What loves are we meant to live?” Ørstavik asks in her thoughtful novel about unsafe relationships. Ørstavik’s descriptions of what fear does to a person are subtle but powerful.’ <em>Vårt Land</em></p>
<p>‘Ørstavik has always been an author with a finely tuned interest in the complex emotional lives of people. So it is this time as well. Ørstavik writes, as usual, with high internal pressure, what is often referred to as ‘necessity’.” <em>VG</em></p>
<p>‘A furious love story. Ørstavik has a unique ability to shift perspectives, so that we see the vulnerability in the father and in the young lover. Constantly articulated through precise metaphors, Ørstavik turns us all into sensitivity readers – both in the literal sense and in the best sense of the word.’ <em>NRK</em></p>
<p>‘A powerful portrayal of male rage. Hanne Ørstavik reports from the borderland between fear and love, life and fiction. The fragmentary, disjointed form embodies an author-narrator trying to figure something out, while the extreme proximity to the material breathes life into the descriptions of difficult love.’ <em>Dagens Næringsliv</em></p>
<p>‘Ørstavik is clearer and bolder than ever. She is daring in her choice of artistic devices and also demonstrates in <em>Stay with Me</em> that she can effortlessly expand the literary space by incorporating other art forms.’ <em>Dagsavisen</em></p>
<p>‘Ørstavik’s willingness to engage with what the outside world considers distant, illegal, or ridiculous is indomitable and invaluable.’ <em>Morgenbladet</em></p>