âFrom the Wall of Respect to the joyful schoolyard to the barbershop full of people, this is a delightful depiction of a close-knit African American community finding inspiration in one of its greatest legends. The poetic text is an enjoyable read-aloud, and Ford generates excitement on each page with a combination of movement-based portraits, community scenes, and expressive faces. This bundle of Black joy belongs on every bookshelf.â â<i>Kirkus Reviews<br /><br /></i>âAsim's vivid prose captures the spirit and enthusiasm associated with the charismatic Ali, and local setting details, including the Wall of Respect mural and the local barbershop, are evocatively described. The text also incorporates several original rhymes composed in Ali's style. Ford's vibrant illustrations, rendered in acrylic and colored pencil, feature rich hues filled with many setting details. Several spreads also highlight Ali's athleticism and agility, expressed in multicolored zigzags, starbursts, and exclamations. An author's note explains the many reasons Ali was revered and describes the 1975 incident that inspired this story.â â<i><i>Booklist<br /><br /></i></i>âBased on a real experience, this is a lovely little ode to meeting your heroes . . . the celebratory tone is infectious. References to other Black athletes and historical figures, as well as the Wall of Respect mural in Chicago bring context. . . . Fordâs illustrations, rendered in acrylics and colored pencils, shine with depth and texture . . . joyous expressions and saturated backgrounds maintain visual appeal. Fans of boxing and/or the âThe Greatestâ are the obvious audience here, but this is also a cheerful slice-of-life look at a Black community in 1970s Chicago.â <i><i>â<i>The Bulletin of the Center for Childrenâs Books</i><br /> </i><br /></i>âThe illustrations in colored pencil and acrylic vibrate with energy. The people and neighborhood are shown in detail and convey everyoneâs personality. An authorâs note explains why Ali appealed to Asim, and that Langstonâs experience was based on how his own mother met the champ. . . . A delightful story about meeting oneâs hero and feeling empowered by it, this heartwarming book is a strong first purchase and is bound to be a story hour hit.â <i>â<i>School Library Journal</i><br /></i><br />âUplifting picture book. . . . With vibrant colors, Fordâs acrylic paintings evoke the pride Langston and his community take in Ali.â <i>âPublishers Weekly<br /></i><br />âThe lively third-person narrative and the bright acrylic and colored-pencil illustrations are a one-two punch that will hook readers. An authorâs note adds more information about Aliâs influence and explains the storyâs roots in an actual event.â â<i>Horn Book</i>
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Jabari Asim (therealjabariasim.com) is an accomplished poet, playwright, and writer, and has been described as one of the most influential African American literary critics of his generation. Asim has served as the editor-in-chief of Crisis magazineâthe NAACPâs flagship journal of politics, culture, and ideasâand as an editor at The Washington Post. He is the recipient of a Guggenheim Fellowship in Creative Arts and is the author of many award-winning books for adults and children, including Preaching to the Chickens (art by E.B. Lewis), which was a New York Times Best Illustrated Book. He is an Associate Professor of writing, literature, and publishing at Emerson College in Boston, Massachusetts.AG Ford (agfordillustration.com) is a three-time New York Times bestselling children's book illustrator and recipient of two NAACP Image Awards. He has illustrated picture books by Kareem Abdul-Jabbar, Sharon Robinson, Ilyasah Shabazz, Martin Luther King III, Nick Cannon, Jonah Winter, and Archbishop Desmond Tutu. He lives with his family in Frisco, Texas.