It's impossible to think of another popular art form that reaches across generations the way the daily comic strip does . . . at the pinnacle of that long tradition, there was Charles Schulz
* Seattle Times *
I became obsessed . . . It's hilarious. We all went to school with a Lucy, or a Linus
- JUDE LAW,
Charles Schulz was, plain and simple, a great artist and philosopher . . . He teaches all ages that if you can learn to laugh at the things that cause you the most pain you will be the strongest of all
- JOHN WATERS,
The world of <i>Peanuts</i> is a microcosm, a little human comedy for the innocent reader and for the sophisticated
- UMBERTO ECO,
<i>The Complete Peanuts</i> confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child . . .
* Time *
Charles Schulz's brilliant, angst-ridden, truly funny, fifty-year-long masterpiece of joy and heartbreak
- MATT GROENING,
Snoopy: the protean trickster whose freedom is founded on his confidence that he's lovable at heart, the quick-change artist who, for the sheer joy of it, can become a helicopter or a hockey player or Head Beagle and then again, in a flash, before his virtuosity has a chance to alienate you or diminish you, be the eager little dog who just wants dinner
- JONATHAN FRANZEN,
Charles Schulz was an American treasure - an artist, philosopher, and keen observer of human life
- BILL CLINTON,
Forget Wittgenstein and Sartre, the great 20th century philosopher was Snoopy
* Daily Mail *
One can scarcely overstate the importance of Peanuts to the comics, or overstate its influence on all of us who have followed
- BILL WATERSON, author of Calvin & Hobbes,