“Entwining different timelines, Carlos Rojas’s <i>The Valley of the Fallen </i>links Goya’s prophetic visions to the modern history of Spain and the life of his biographer.”—Ben Eastham, <i>TLS</i><br /><br />“A writer of unusual range . . . The oneiric plays a fundamental part in much of Rojas’s work, and in <i>The Valley of the Fallen </i>it is a permeable membrane through which history and the present communicate, at first in snatches, until reality breaks down and the characters grow aware of their frailty, their subservience to the hidden whims of a friend they call R., a stand-in for Rojas himself.”—Adrian Nathan West, <i>New York Review of Books</i><br /><br />