Like Colson Whitehead's Zone One without the zombie camp and idiom, Theodore Savage is a dark, strange, and cruelly contemporary tale of The Ruin and the post-apocalyptic condition that follows. The book makes a spirited argument against science and machines, disputing itself viciously to the last word. -- Alexis Madrigal, The Atlantic "Miss Hamilton always writes forcibly, and her present novel deals with the heart shaking effects of the next war. It might, indeed, be used as a tract to convey an awful warning." -- The Spectator (1922) "A particularly effective and chilling version of a theme that dominates British speculative fiction between the wars." -- Anatomy of Wonder, Neil Barron, ed. "Hamilton is one of the first -- and among the darkest -- of those UK novelists whose vision of things was shaped by WWI, which they saw as foretelling the end of civilization." The Encyclopedia of Science Fiction, Clute and Nicholls, eds.

When war breaks out in Europe -- modern, aerial war whose tactics include displacing entire populations -- British civilization collapses overnight. The ironically named Theodore Savage, an educated and idle civil servant, must learn to survive by his wits in a new Britain...one where science and technology swiftly come to be regarded with superstitious awe and terror. The book -- by a women's rights activist often remembered today for her polemical plays, tracts and treatises -- was first published in 1922.
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When war breaks out in Europe -- modern, aerial war whose tactics include displacing entire populations -- British civilization collapses overnight. The ironically named Theodore Savage, an educated and idle civil servant, must learn to survive by his wits in a new Britain... one where science and technology swiftly come to be regarded with superst
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He noticed, as the days went by, how quickly he slipped from the outlook and habits of civilized man and adopted those of the primitive, even of the animal. It was not only that he was suspicious of every man, careful in approach, on the alert and ready for violence; he learned, like the animal, to be indifferent to the suffering that did not concern him. Violence, when it did not affect him directly, was a noise in the distance—no more; and as swiftly as he became inured to bloodshed he grew hardened to the sight of misery. At first he had sickened when he ate his rations at the thought of a million-fold suffering that starved while he filled his stomach; later, as order's representative, he herded and hustled a massed starvation without scruple, driving it away when it grouped itself threateningly, shooting when it promised to give trouble to authority, and looking upon death, itself, indifferently.

It amazed him, looking back, to realize the swiftness with which ordered society had crumbled; laws, systems, habits of body and mind—they had gone, leaving nothing but animal fear and the animal need to be fed. Within little more than a week of the night when young Hewlett had called him to watch the red flashes and the glare in the sky, there remained of the fabric of order built up through the centuries very little but a military force that was fighting on two sides—against inward disorder and alien attack—and struggling to maintain itself alive. Automatically, inevitably—under pressure of starvation, blind vagrancy and terror—that which had once been a people, an administrative whole, was relapsing into a tribal separatism, the last barrier against nomadic anarchy.... As famished destitution overran the country, localities not yet destitute tried systematically and desperately to shut out the vagrant and defended what was left to them by force. Countrymen beat off the human plague that devoured their substance and trampled their crops underfoot; barriers were erected that no stranger might pass and bloody little skirmishes were frequent at the outskirts of villages. As bread grew scarcer and more precious, the penalties on those who stole it were increasingly savage; tribal justice—lynch law—took the place of petty sessions and assize, and plunderers, even suspected plunderers, were strung up to trees and their bodies left dangling as a warning.... And a day or two later, it might be, the poison-fire swept through the fields and devoured the homes of those who had executed tribal justice; or a horde of destitution, too strong to be denied, drove them out; and, homeless in their turn, they swelled the tide of plunderers and vagrants.... Man, with bewildering rapidity, was slipping through the stages whereby, through the striving of long generations, he had raised himself from primitive barbarism and the law that he shares with the brute.
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Produktdetaljer

ISBN
9781935869641
Publisert
2013-11-07
Utgiver
Red Lemonade; Red Lemonade
Vekt
184 gr
Høyde
190 mm
Bredde
127 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
192

Forfatter
Introduksjon ved

Om bidragsyterne

Cicely Hamilton (1872--1952) was an Anglo-Irish novelist, dramatist, and campaigner for women's rights who served during WWI with an ambulance unit and at a military hospital in France. Her plays include Diana of Dobson's (1908) and How the Vote was Won (1909); her 1909 treatise Marriage as a Trade is a witty criticism of that institution. The dystopian Theodore Savage is her only science fiction novel. Gary Panter won three Emmy awards for his set designs for Pee-Wee's Playhouse. His artistic activity includes the science fiction comics Jimbo and Dal Tokyo, painting, prose, music, and light shows. He teaches at School of Visual Arts in Manhattan.