Stunningly original

Val McDermid

In the whole of crime fiction's distinguished sisterhood, there is no one quite like Margaret Millar

Guardian

One of the most original and vital voices in all of American crime fiction

Laura Lippman, author of 'Sunburn'

Se alle

Marvellous... One of the best novels of psychological suspense I've read

Martin Edwards, author of Gallows Court

A torrid tale of sex and race... Millar continually blindsides the reader and the reveal on the last page is magnificent. Twenty-five years after her death Millar deserves to be much better known

The Times

Millar racks up the tension...The revelations are as powerful as a sock on the jaw

Daily Mail

Stands out as one of the best crime novels I've read and reviewed so far this year for its intricate, wonderfully disguised plot... Packed full of surprises, down to the very last stunning line

Thriller Books Journal

A pacy, gripping read with some vividly drawn characters and a twisty plot

ON Magazine

Feminist noir... hypnotic and elegant, a wonderful rediscovery which should have you racing to investigate her other books

Crime Time

Fascinating... many twists and turns... Margaret Millar writes exceptionally well and reading her is a delight. Excellent stuff.

Shiny New Books

An original master of the art which Gillian Flynn (amongst others) rebooted so beautifully... Hugely addictive

Liz Loves Books (blog)

Praise for Vanish in an Instant

__

Clever plot, sad characters and a powerful atmosphere

The Times

A brilliant psychodrama that has a triple-whammy ending... exhilarating

Evening Standard

Crime writing of a rare order

- Barry Forshaw, Guardian

It doesn't get more noir than this

Daily Mail

Revived American classic from 1952 conjures up images from Edward Hopper paintings with characters that keep secrets from each other... The terse prose pushes the story along to a shock reveal

Sunday Times Crime Club

No woman in twentieth-century American mystery writing is more important than Margaret Millar

Dorothy B Hughes, author of 'In a Lonely Place'

Mrs Millar doesn't attract fans, she creates addicts

- Dilys Winn,

Very original

Agatha Christie

She has few peers, and no superior in the art of bamboozlement

Julian Symons, author of 'The Colour of Murder'

Millar was the master of the surprise ending

Independent on Sunday

A superbly plotted tale of murder and deception

Raven Crime Reads (blog)

She was a master of character, a genius of plot twists, and a superb stylist

LA Review of Books

A nightmare is haunting Daisy Harker. Night after night she walks a strange cemetery in her dreams, until she comes to a grave that stops her in her tracks. It's Daisy's own, and according to the dates on the gravestone she's been dead for four years. What can this nightmare mean, and why is Daisy's husband so insistent that she forget it? Driven to desperation, she hires a private investigator to reconstruct the day of her dream death. But as she pieces her past together, her present begins to fall apart...
Les mer
Young housewife Daisy Harker's world is upended when a blank spot in her memory and a reoccurring nightmare link her to an unsolved murder and a decades-old conspiracy.
Stunningly original

Produktdetaljer

ISBN
9781782275732
Publisert
2019-07-04
Utgiver
Vendor
Pushkin Vertigo
Høyde
198 mm
Bredde
129 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
320

Forfatter

Om bidragsyterne

Margaret Millar (1915-1994) was the author of 27 books and a masterful pioneer of psychological mysteries and thrillers. Born in Kitchener, Ontario, she spent most of her life in Santa Barbara, California, with her husband Ken Millar, who is better known by his nom de plume of Ross Macdonald. Her 1956 novel Beast in View won the Edgar Allan Poe Award for Best Novel. In 1965 Millar was the recipient of the Los Angeles Times Woman of the Year Award and in 1983 the Mystery Writers of America awarded her the Grand Master Award for Lifetime Achievement. Millar's cutting wit and superb plotting have left her an enduring legacy as one of the most important crime writers of both her own and subsequent generations.