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Natalie Haynes is a writer and broadcaster. She is the author of The Amber Fury, The Children of Jocasta, and A Thousand Ships, which was shortlisted for the Women’s Prize for Fiction. Her non-fiction book about women in Greek Myth, Pandora’s Jar, was a New York Times Bestseller. She has written and performed eight series of her BBC Radio 4 show, Natalie Haynes Stands Up for the Classics. She was awarded the Classical Association Prize for her work in bringing Classics to a wider audience. Stone Blind is her fourth novel.Witty, gripping, ruthless
- Margaret Atwood, author of <i>The Handmaid's Tale</i>, via X (Twitter),
The rollicking narrative voice that energises <i>Stone Blind . . . </i>is a voice that feels at once bitingly (post)modern and filled with old wisdom
The Observer
<i>Stone Blind</i> is an exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel. Haynes brilliantly pulls off the feat of seamlessly alternating humour and heartbreak, creating characters that stay with you long after the novel's end. It is a dazzling achievement
- Elodie Harper, author of <i>The Wolf Den </i>trilogy,
With this, her third novel based on ancient myth, [Haynes] has found a way of using all her classical erudition and her vivid sense of the ambiguous potency of the ancient stories, while being simultaneously very, very funny
The Guardian
A fierce feminist exploration of female rage, written with wit and empathy. Haynes makes the classics brutally relevant, and we reckon this one is going to be huge
Glamour
It is no exaggeration to say that Haynes is the modern embodiment of the best of Homer. She is a proper, classic storyteller, whose linguistic skills and wit will have you hanging on every word
Radio Times
<i>Stone Blind</i> is inventive and playful . . . [and] very funny
- Antonia Senior, The Times
Natalie Haynes’s genius is to not just focus on the female experience of Greek myth but also to add zest, humour and more than a little mischief.
Metro
What makes a monster is the central question in Natalie Haynes’ wry, spry feminist take on the Medusa myth . . . an earthy, playful yet rage-filled upending of the Greek hero trope
Mail Online
Natalie Haynes has made a contemporary classic out of a classic . . . and it should win prizes
- Monique Roffey, author of<i> The Mermaid of Black Conch</i>,
<b>With wit, humanity and extraordinary imagination, Haynes breathes life and meaning into myths</b> as she has done so brilliantly before (most famously with <i>A Thousand Ships</i>). She also shows that monsters can be divine or mortal. Not all heroes wear capes – and not all villains have snakes
The i
Haynes’ clever, empathetic writing transforms Medusa from Gorgon into a girl, who’s a victim of the cruel machinations of the gods and of circumstance
- Sarra Manning, Red Magazine
There’s real tenderness in Haynes’s portrait of Medusa, a mortal abomination born into a family of divinities, and the efforts of her immortal Gorgon sisters to protect her from herself
- Daisy Dunn, The Spectator
Longlisted for the Women's Prize for Fiction 2023.
In Stone Blind, the instant Sunday Times bestseller, Natalie Haynes brings the infamous Medusa to life as you have never seen her before.
'Witty, gripping, ruthless' – Margaret Atwood via X (Twitter)
‘So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters’
Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt.
When Poseidon commits an unforgiveable act against Medusa in the temple of Athene, the goddess takes her revenge where she can: on his victim. Medusa is changed forever – writhing snakes for hair and her gaze now turns any living creature to stone. She can look at nothing without destroying it.
Desperate to protect her beloved sisters, Medusa condemns herself to a life of shadows. Until Perseus embarks upon a quest to fetch the head of a Gorgon . . .
‘A fierce feminist exploration of female rage, written with wit and empathy’ – Glamour