Not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor.
- Boyd Tonkin, The Times
One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.
Guardian
One of Simenon's masterpieces ... Simenon's subject is how people who are pushed to the edge push themselves over it; the force of the sleuthing is that of psychoanalysis, not police interrogation.
- Adam Gopnik, The New Yorker
One of Simenon's <b>masterpiece</b>s . . . <b>photographic</b> . . . a <b>superior stylist</b> . . . . . . Simenon's subject is how people who are pushed to the edge push themselves over it; the force of the sleuthing is that of psychoanalysis, not police interrogation
- Adam Gopnik, New Yorker
<b>One of the greatest writers of the 20th century</b> . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere.
- John Banville, Financial Times
A <b>supreme</b> writer . . . <b>unforgettable</b> vividness
Independent
<b>Gem-hard soul-probes</b> . . . not just the world's bestselling detective series, but an <b>imperishable literary legend</b> . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor
- Boyd Tonkin, The Times
The most <b>addictive</b> of writers . . . a <b>unique</b> teller of tales
Observer
'His artistry is supreme' John Banville
'There was no lack of picturesque individuals in a neighbourhood like Quai de Valmy. But he had seldom encountered the kind of inertia he had seen in that woman. It was hard to explain. When most people look at you, there is some sort of exchange, however small. A contact is established, even if that contact is a kind of defiance.
With her, on the contrary, there was nothing.'
The discovery of a dismembered body in the Canal Saint Martin leads Maigret into a tangled, baffling case involving a taciturn bistro-owner and a mysterious inheritance.
'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian'