No one can create<b> beautiful, enmeshed, startlingly clever</b> worlds the way Mandel does
- Daisy Johnson, author of <i>Everything Under</i>,
<b>Elegant, haunting</b> . . . a <b>unique </b>rumination on guilt, grief and regret
The Times
<b>Elegant </b>. . . <b>beguiling </b>. . . the joys of <i>The Glass Hotel </i>are participatory: piecing together the connections . . .<b> a treasure map ripped to pieces</b>
Guardian
<b>Beautifully written and compelling</b>, it will find its way <b>straight to your heart</b>.
- Red,
A<b> perfect post-lockdown read</b> . . . Mandel is a <b>terrific </b>storyteller
Sunday Times
A <b>damn fine novel</b> . . . she keeps me turning pages . . . <b>haunting and evocative and immersive</b> . . . I guess you can say <b>I am a big Emily St. John Mandel fanboy.</b> I look forward to whatever she writes next.
- George R R Martin,
A <b>fascinating</b> and <b>affecting</b> read
- <i>Stylist</i>,
<b>A </b><b>beguiling tale</b> about skewed morals, reckless lives and necessary means of escape.
- <i>The Economist</i>,
<p>I've waited five long years for this - and it was <b>absolutely worth it</b>.<br />In this <b>stunning and meandering story full of beautiful prose</b> ... Set in Vancouver Island's dazzling surroundings, <b>this is an extraordinary read</b>.</p>
- <i>Prima,</i> Book of the Month,
The<b> bestselling author of </b><i><b>Station Eleven</b> </i>returns with this tale about the relationship between a New York financier, his waiter lover, <b>a threatening note and a mysterious disappearance</b>
- <i>Times</i>, Best books of 2020,
<b>Deeply imagined</b>, philosophically profound . . . <i>The Glass Hotel </i>moves forward propulsively, its characters continually on the run . . . <b>Richly satisfying</b> . . . <b>as immersive a reading experience as its predecessor</b> [<i>Station Eleven</i>] . . . <b>Revolutionary</b>
The Atlantic
The <b>perfect </b>novel for your survival bunker . . . Mandel is <b>a consummate, almost profligate world builder.</b> One <b>superbly developed</b> setting gives way to the next, as her attention winds from character to character . . . That Mandel manages to cover so much, so deeply is the <b>abiding mystery</b> of this book
Washington Post
<i>The Glass Hotel</i> is <b>as tightly constructed as a detective fiction</b>, with its mysteries, apparently discrete events leading to revelations, dire consequences . . . <b>a superb performance</b>
Sydney Morning Herald
Lyrical, hypnotic images . . . suspend us in a kind of hallucinatory present where every detail is sharply defined yet queasily unreliable.
- Anna Mundow, <i>Wall Street Journal</i>,
Like all Mandel’s novels, <i>The Glass Hotel </i>is flawlessly constructed... <i>The Glass Hotel</i> declares the world to be as bleak as it is beautiful, just like this novel.
- Rebecca Steinitz, <i>The Boston Globe</i>,
A <b>mysterious and delicate</b> book . . . <i>The Glass Hotel</i> <b>beautifully depicts</b> the many lives impacted by the collapse of an ambitious Ponzi scheme
Elle Magazine (USA)
Another tale of wanderers whose fates are interconnected . . . <b>nail-biting tension</b> . . . Mandel weaves an intricate spider web of a story . . . <b>A gorgeously rendered tragedy</b>.
Booklist, starred
Long-anticipated . . . At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical . . . In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure. <b>A strange, subtle, and haunting novel.</b>
Kirkus Reviews, starred
Mandel’s wonderful novel (after <i>Station Eleven</i>) follows a brother and sister as they navigate heartache, loneliness, wealth, corruption, drugs, ghosts, and guilt . . . <b>This ingenious, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness</b>
- <i>Publishers Weekly</i> (starred review),