Wells's scientific romances were works of art with unique relevance for our times<p></p>A classic study of scientific hubris brought to destruction - THE ENCYCLOPEDIA OF SCIENCE FICTION<p></p>The Prospero of all the brave new worlds of the mind, and the Shakespeare of science fiction

'As we saw it first it was the wildest and most desolate of scenes. We were in an enormous amphitheatre, a vast circular plain, the floor of the giant crater. Its cliff-like wall closed us in on every side¿'

Thanks to the discovery of an anti-gravity metal, Cavorite, two Victorian Englishman decide to tackle the most prestigious goal - space travel. They construct a sphere that will ultimately take them to the moon. On landing, they encounter what seems like an utterly barren landscape but they soon find signs that the planet was once very much alive. Then they hear curious hammering sounds from beneath the surface, and come face to face with the Selenites, a race of insect-like aliens living in a rigidly organised hive society.

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The classic space travel novel rejoins the Masterworks list with an introduction by Lisa Tuttle.
Wells's scientific romances were works of art with unique relevance for our times

A classic study of scientific hubris brought to destruction - THE ENCYCLOPEDIA OF SCIENCE FICTION

The Prospero of all the brave new worlds of the mind, and the Shakespeare of science fiction
Les mer

Produktdetaljer

ISBN
9781473218000
Publisert
2017
Utgiver
Vendor
Gollancz
Vekt
199 gr
Høyde
198 mm
Bredde
132 mm
Dybde
22 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
224

Forfatter

Om bidragsyterne

H.G. Wells was born in Bromley, Kent in 1866. After working as a draper's apprentice and pupil-teacher, he won a scholarship to the Normal School of Science in 1884, studying under T. H. Huxley. He was awarded a first-class honours degree in biology and resumed teaching but had to retire after a kick from an ill-natured pupil afflicted his kidneys. He worked in poverty in London as a crammer while experimenting in journalism and stories. It was with THE TIME MACHINE (1895) that he had his real breakthrough.