In 1928, shortly after his marriage to Ximena Amunategui, and after meeting the actor Douglas Fairbanks, who expressed interest in the possibility of a new swashbuckler, Huidobro began writing his version of the Cid legend as a novel. The result is a highly readable, if slightly arch, version of the story, that casts aside the style of romantic 19th-century historical fiction in favour of more modern approaches and cinematic influences. Style aside, the book can be read a straightforward tale of adventure that sits happily alongside the 1961 epic movie that starred Charlton Heston and Sophia Loren and had thousands of extras. More than one line of the script for that movie sounds as if lifted from Huidobro's novel. The translation by Wells appeared quickly, under the title Portrait of a Paladin in 1931, in both London and New York, and this reprint offers the original version with only some minor edits, together with a new afterword and an extensive glossary to aid with figures, both legendary and genuine, from Old Spain.
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In 1928, shortly after his marriage to Ximena Amunategui, and after meeting Douglas Fairbanks, Huidobro began writing his version of the Cid legend as a novel. The result is a highly readable version of the story, that casts aside the style of romantic 19th-century historical fiction in favour of more modern approaches and cinematic influences.
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Produktdetaljer

ISBN
9781848616288
Publisert
2019-04-19
Utgave
2. utgave
Utgiver
Vendor
Shearsman Books
Vekt
360 gr
Høyde
229 mm
Bredde
152 mm
Dybde
14 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
234

Forfatter
Oversetter
Afterword by

Om bidragsyterne

The Chilean poet Vicente Huidobro (1893-1948) is one of the most important figures in 20th-century Hispanic poetry and, with Cesar Vallejo, one of the pioneering avant-gardists in Spanish. Originally from an upper-class Santiago family, Huidobro was fortunate to have the means to support himself and his family while he found his artistic way. After an early phase writing in a quasi-symbolist style in his native city, he moved to Paris and threw himself into the local artistic milieu with a passion, quickly becoming a notable figure, publishing two full-sized collections and four chapbooks in 1917-18, and a French-language selected poems in 1921. Influenced initially by Apollinaire, Huidobro quickly befriended both forward-looking French writers such as Reverdy, Cocteau and Radiguet, and the Spanish expatriate artists, including Picasso and Juan Gris. He was to reach his artistic maturity in 1931 with the publication of two masterpieces: the long poem, Altazor, and the book-length prose-poem Temblor de cielo (Skyquake). Two further collections followed during his lifetime, both published in Santiago in 1941. While he is best remembered today for his poetry, his fiction and other writings are also still worth the reader's attention.