A remarkable and memorable book, about the nastiness, fear, dirt and brutality of war . . . Few novels, in any language, have conveyed them better.

- Caroline Moorehead, Times Literary Supplement

Yes, you’ve already read Remarque, but you should read this one because it’s not just the story of wartime trauma, but also the story of how that trauma affects the future. Walter Urban and his friend Friedrich Caroli are just 17 years old when they’re drafted from their dairy-farm duties into the trenches. Today, right now, we all need to read the chilling section in which very young men are hectored into military service.

LitHub

Rothmann's work [is] one of the most substantial of contemporary German literature.

Tagesspiegel

In this masterpiece, Ralf Rothmann manages the seemingly impossible. He describes the guilt of their fathers' generation from the viewpoint of the post-War generation without betraying it to a moralising know-it-all attitude.

Badische Zeitung

In contemporary German literature, there is nothing that can be compared to this book.

Frankfurter Allgemeine Zeitung

Searing, haunting, incandescent: Rothmann’s new novel is a vital addition to the trove of wartime fiction.

Kirkus (starred review)

A sublime novel of damaged lives - and of fathers and sons.

Der Spiegel

With his powerful poetics, Ralf Rothmann belongs to the most important German authors, and as a narrator, he is possibly the most sensitive of his generation. He visualises thoughts, gestures and noises masterfully.

Frankfurter Allgemeine Zeitung

As a critic, one should use superlatives cautiously, but this novel is a sensation, a literary and political event. Rothmann's scenes and imagery are so impressive that readers experience the sensation of standing on the battlefield themselves. The author always finds the appropriate words for the horror, for this life damaged by war . . . Rothmann poses the question of guilt, without moralising . . . Apart from the prizes that this powerful and smart novel will receive, one wishes the text one thing first and foremost: many readers. From all generations, in Germany and abroad, because in belligerent times like these, the sad story of Walter and Friedrich is a strong, timeless beacon against war.

SWR

He imagines the characters, landscapes, dialogues with hallucinatory precision, doesn't spare the reader any detail of the brutality . . . [He] lets objects - a footstool, a coat, the hem of a dress - speak.

Süddeutsche Zeitung

One can justifiably say that <i>To Die in Spring</i> heralds the post-Grass era with force.

Die ZEIT

Rothmann tells a story which, without resorting to a hyper-realistic description of catastrophe, narrates the destruction of human beings who seek to remain untouched by evil, who strive with very different intensities to preserve the traces of their humanity . . . Moving, with exquisite prose, suffused with a sense of poetry, in the face of human and collective desolation.

Diario Vasco

<i>To Die in Spring</i> by Ralf Rothmann, is the best novel about the end of the Second World War in years, and a beautiful anti-war tale of universal importance . . . With its lyrical realism, the text reaches new heights. Not a word is out of place.

El País

The war is almost over, the Russians are getting nearer and two young men join the SS. A bad career move, but <i>To Die in Spring</i> is a wonderful, precise, very moving novel by German author Ralf Rothmann.

- Roddy Doyle, Guardian

In <i>To Die in Spring</i> Ralf Rothmann finds a way to describe German suffering without succumbing to self-pity or overlooking guilt. An extraordinary novel.

La Nueva España

Brilliant . . . Spare and elegant, [<i>To Die in Spring</i>] paints a quietly harrowing picture of the lasting effects of human violence . . . Directly confronting issues of responsibility, accountability, and legacy, this is an undeniably powerful work.

Publishers' Weekly (starred review)