This first novel in a proposed trilogy has <b>terrific characters</b> as well as effectively <b>inventing a new</b> <b>genre, Anglo-Nordic noir</b>
- Joan Smith, Sunday Times on Fatal Isles
A <b>cracking police procedural</b> set in a richly described isolated island community
Irish Independent on Fatal Isles
An <b>excellent</b> police procedural - she does detail brilliantly - but also really <b>thrilling</b>. I love books that send me somewhere completely new and I really enjoyed Doggerland. She captured it perfectly, and <b>held me there for the whole thing</b>
Jo Spain on Fatal Isles
Karen Eiken <b>reminds me a bit of Jane Tennison</b>: a strong, feminine and dedicated woman confronted by sexism within the police force while doing her job. At the same time striving not to be eaten up by the pressure of duties, struggling to quit smoking and not drinking too much. The island is a cool setting too, a bit Shetland-like . . . a good debut
Kjell Ola Dahl on Fatal Isles
A <b>suspenseful</b> and <b>intriguing</b> story that combines the best of British crime writing tradition with Nordic noir. Doggerland is <b>a unique and alluring universe </b>that I can't wait to revisit
Camilla Grebe on Fatal Isles
<i>Fatal Isles</i> has everything I want from nordic noir - a <b>spellbinding</b> plot, <b>atmospheric</b> setting and a wonderfully flawed protagonist. <b>I loved it</b>
Sarah Ward on Fatal Isles
<i>Fatal Isles</i> is an <b>impressive debut</b> combining an empathetic main character tormented by her past, with a detailed, complex police procedural. Adolfsson's main achievement, however, is Doggerland, a believable island nation where everyone knows everyone else and the mistrust of outsiders runs deep
Canberra Times on Fatal Isles