Charles Willson Peale (1741-1827) produced an unparalleled body of work, including the iconic "The Artist in His Museum". He was a revolutionary soldier, a radical activist, an impresario of moving pictures, a natural historian, an inventor, and the proprietor of one of the first modern museums. This book presents his autobiography.

List of Illustrations Acknowledgments Preface. Charles Willson Peale: This New Man Part I "Why Not Act the Man?" 1. Forgeries: Charles Willson Peale and His Father 2. "This Faint Spark of Genius": Fortune, Patronage, and Peale's Rise as an Artist 3. "Application Will Overcome the Greatest Difficulties": Work, Career, and Identity in Peale's Art and Life Part II "I Scrutinize the Actions of Men" 4. A Good War and a Troubled Peace: Charles Willson Peale's Search for Order, 1776-94 5. "The Medicinal Office of the Mind": The Peale Museum's Mission of Reform, 1793-1810 6. "The Hygiene of the Self": Work, Writing, and the Enlightened Body Part III "It Would Seem a Second Creation" 7. The Struggle against Dispersal: Work, Family, and Order in Peale's Family Portraits 8. "I Bring Forth into Public View": Peale's SecularApotheosis in The Artist in His Museum Notes Index

"At last, Charles Willson Peale is revealed, compleat and complex: as the familiar and essential artist and scientist, to be sure, but also as the patriot, parent, publicist, and more. David Ward's astute examination of this unique polymath introduces unexpected aspects of the man and, in so doing, sheds new light on the genius of the American Enlightenment. A masterly portrait, and an interpretive tour de force."—Charles C. Eldredge, author of Tales from the Easel: American Narrative Paintings"This is an invaluable critical study of Charles Willson Peale—clear, erudite, and imaginative. Ward shows what went wrong as well as right in Peale's lifelong attempts at self-fashioning, giving us a richer picture than ever before of this restless American figure."—Alexander Nemerov, author of The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824"One of the hallmarks of public life after the Revolution was the desire of notable Americans to fashion their own enduring reputations. This exquisite book lucidly and compellingly investigates how Charles Willson Peale expressed and controlled his image—in his ostensibly private autobiographical writing as well as in public forums such as self-portraiture and the production of spectacles and events. David C. Ward reassembles the visual and verbal conversations Peale conducted with and within himself over the course of five decades, and in doing so takes us on a remarkable journey through the labyrinth of a major artist's evolving self-consciousness during the early Republic."—Paul Staiti, Professor of Fine Arts on the Alumnae Foundation, Mount Holyoke College