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Danielle Evans is an Associate Professor at Johns Hopkins University and the author of short story collections, The Office of Historical Corrections and Before You Suffocate Your Own Fool Self. Her first collection won the PEN American Robert W. Bingham Prize, the Hurston-Wright award for fiction, and the Paterson Prize for fiction; her second won the Janet Heidinger Kafka Prize and The Bridge Book Award and was a finalist for The Aspen Prize, The Story Prize, and The LA Times Book prize for fiction. She is the 2021 winner of The New Literary Project Joyce Carol Oates Prize, a 2020 National Endowment for the Arts fellow, and a 2011 National Book Foundation 5 under 35 honoree.Danielle Evans's <b>whipsmart </b>first story collection charts the liminal years between childhood and the condition dubiously known as being a grown-up.
New York Times Book Review
There are books that capture our world perfectly, like a scrim over a stage. And then there are books that surprise the audience and go somewhere new, somewhere completely unpredictable. In this collection, Evans paints a picture, sometimes ripping through the fabric. <b>One wonders where she will go next.</b>
Boston Globe
Danielle Evans' blisteringly smart short stories <b>offer fresh perspective on being young and black in America</b>. From a vandalizing valedictorian to a rejected biracial child, her characters triumph by surviving without forgetting.
Time
The most vivid characters in Danielle Evans's story collection are in-betweeners: between girlhood and womanhood; between the black middle class and Ivy League privilege; between iffy boyfriends and those even less reliable; between an extended family and living on your own. To say they're caught between worlds isn't quite accurate, though; they tend to be hard-headed, sadder but wiser and, <b>most of all, funny.</b>
The New York Times
I hope Danielle Evans is a very nice person because that might be her only defense against other writers’ seething envy . . . Again and again, without any histrionics, but with a clear appreciation for the natural drama of our mundane lives, Evans frames such questions in a way that will resonate with any thoughtful reader.
Washington Post
This striking debut collection <i>Before You Suffocate Your Own Fool Self </i>offers rich slices of African-American life . . . [Evans's] stories are bolstered by memorable images . . . Evans's book, meanwhile, carries <b>a strong scent of freshness and promise.</b>
Entertainment Weekly
Danielle Evans's considerable talents are in evidence on every page of this impressive debut. She finds her often surprising dramatic material in the unexpected asides of modern life, with results that are <b>intense, intelligent, humane, and funny</b>. I look forward to reading more.
- <font face="verdana, tahoma"><span>Daniel Alarcon, author of <i>Lost City Radio</i></span></font>,
Evans's <b>knife-sharp wit and tender but unflinching eye</b> create a range of characters who are entirely sympathetic, even as they tumble headlong into their own mistakes.
- <font face="verdana, tahoma"><span>V.V. Ganeshananthan, author of <i>Love Marriage</i></span></font>,
Danielle Evans is<b> funny as hell.</b> Which only makes all the heartbreak in these stories more surprising and satisfying. The young women in this collection are always on the edge of real trouble but don't be fooled, they're the dangerous ones. Written with wonderful clarity and a novelist's sense of scope, <i>Before You Suffocate Your Own Fool Self</i> is a fabulous literary debut.
- <font face="verdana, tahoma"><span>Victor LaValle, author of <i>Big Machine</i></span></font>,
Danielle Evans's stories are<b> fresh, arresting, real.</b> The young women and men in them could be sitting across from you on the subway or strolling past you on a college campus. And the young woman who brings them to us is a writer to watch.
- <font face="verdana, tahoma"><span>Martha Southgate, author of <i>The Fall of Rome</i></span></font>,
Quietly <b>magnetic</b>, Evans's voice draws us into richly-charged worlds where innocence isn't lost but escaped, and where pieces of the past reassemble in the present with the inevitable geometry of kaleidoscope glass.
- <font face="verdana, tahoma"><span>Sana Krasikov, author of <i>One More Year</i></span></font>,