<b>There are resonances here with Tanizaki, but Kono's subversions feel somehow scarier, in part because of her deadpan prose and in part because she strikes at sacred paradigms of motherhood and femininity</b>

The Wall Street Journal

<b>It does a disservice to this collection of stories, which were originally published throughout the 1960s, to focus too much on its flashes of sadomasochism; but it's difficult not to start there. But the pleasure in Kono's work is not only, or even primarily, derived from its daring. These stories are also captivating in traditional ways</b>

NY Times

<b>The fiery, beguiling stories in TODDLER HUNTING AND OTHER STORIES are vertiginous tightrope walks between two planes of reality. Kono's writing is shocking, ominous, and subversive</b>

The Paris Review

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<b>Left me shaken and in awe; they are incendiary, beautiful, and frightening confrontations of the lives we keep hidden from others</b>

Gabe Habash, author of Stephen Florida

<b>Japanese master of the unsettling: Kono should be an electrifying discovery for English-speaking lovers of short fiction</b>

Kirkus

<b>Reminiscent of Flannery O'Connor's works, Kono's stories explore the dark, terrifying side of human nature that manifests itself in antisocial behaviour</b>

World Literature Today

An immeasurably influential female voice in post-war Japanese literature, Kono writes with a strange and disorienting beauty: her tales are marked by disquieting scenes, her characters all teetering on the brink of self-destruction. In the famous title story, the protagonist loathes young girls but compulsively buys expensive clothes for little boys so that she can watch them dress and undress. Taeko Kono's detached gaze at these events is transfixing: What are we hunting for? And why? Kono rarely gives the reader straightforward answers, rather reflecting, subverting and examining their expectations, both of what women are capable of, and of the narrative form itself.
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A captivating collection of pitch-black tales from one of the most important Japanese writers of the second half of the twentieth century - 'shocking, ominous, and subversive' The Paris Review
There are resonances here with Tanizaki, but Kono's subversions feel somehow scarier, in part because of her deadpan prose and in part because she strikes at sacred paradigms of motherhood and femininity
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There are resonances here with Tanizaki, but Kono's subversions feel somehow scarier, in part because of her deadpan prose and in part because she strikes at sacred paradigms of motherhood and femininity - The Wall Street JournalIt does a disservice to this collection of stories, which were originally published throughout the 1960s, to focus too much on its flashes of sadomasochism; but it's difficult not to start there. But the pleasure in Kono's work is not only, or even primarily, derived from its daring. These stories are also captivating in traditional ways - NY TimesThe fiery, beguiling stories in Toddler Hunting and Other Stories are vertiginous tightrope walks between two planes of reality. Kono's writing is shocking, ominous, and subversive - The Paris ReviewLeft me shaken and in awe; they are incendiary, beautiful, and frightening confrontations of the lives we keep hidden from others - Gabe Habash, author of Stephen FloridaJapanese master of the unsettling: Kono should be an electrifying discovery for English-speaking lovers of short fiction - KirkusReminiscent of Flannery O'Connor's works, Kono's stories explore the dark, terrifying side of human nature that manifests itself in antisocial behaviour - World Literature Today
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Produktdetaljer

ISBN
9781474619202
Publisert
2021
Utgiver
Vendor
Weidenfeld & Nicolson
Vekt
260 gr
Høyde
196 mm
Bredde
126 mm
Dybde
26 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Forfatter
Introduksjon ved

Om bidragsyterne

Taeko Kono (1926 -2015) is one of the most important Japanese writers of the second half of the twentieth century. Oe Kenzaburo, Japan's Nobel Laureate, described her as the most "lucidly intelligent" woman writers writing in Japan, and the US critic and academic Masao Miyoshi identified her as among the most "critically alert and historically intelligent." US critic and academic Davinder Bhowmik assesses her as "...one of the truly original voices of the twentieth century, beyond questions of gender or even nationality."