Raymond Carver's stories can be counted amongst the masterpieces of American fiction

New York Times

The stories overflow with danger, excitement, mystery and the possibility of life... His eye is so clear it almost breaks your heart

Washington Post

One of America's most original, truest voices

- Salman Rushdie,

Se alle

Superb

- Ian McEwan,

'I look at all of Carver's work as just one story, for his stories are all occurences, all about things that just happen to people and cause their lives to take a turn... In formulating the mosaic of the film Short Cuts, which is based on these nine stories and a poem, 'Lemonade', I've tried to do the same thing- to give the audience one look... But it all began here. I was a reader turning these pages. Trying on these lives' - Robert Altman in his introduction.
Les mer
'I look at all of Carver's work as just one story, for his stories are all occurences, all about things that just happen to people and cause their lives to take a turn...
This book contains the nine stories and one poem on which Robert Altman has based his film Short Cuts.

Produktdetaljer

ISBN
9781860460401
Publisert
2002
Utgiver
Vendor
The Harvill Press
Vekt
165 gr
Høyde
215 mm
Bredde
135 mm
Dybde
13 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Om bidragsyterne

Raymond Carver was born in Clatskanie, Oregon, in 1938. His first short stories appeared in Esquire during Gordon Lish's tenure as fiction editor in the 1970s. Carver's work began to reach a wider audience with the 1976 publication of Will You Please be Quiet, Please?, but it was not until the 1981 publication of What We Talk About When We Talk About Love under Gordon Lish, then at Knopf, that he began to achieve real literary fame. This collection was edited by more than 40 per cent before publication, and Carver dedicated it to his fellow writer and future wife, Tess Gallagher, with the promise that he would one day republish his stories at full length. He went on to write two more collections of stories, Cathedral and Elephant, which moved away from the earlier minimalist style into a new expansiveness, as well as several collections of poetry. He died in 1988, aged fifty.