<p>‘Fallada is extraordinary … These stories of love and hate, sadism and masochism, are compelling in isolation. But what makes them remarkable is that they prefigure his final works.’</p>
- Geordie Williamson, The Saturday Paper
‘Psychologically acute.’
i newspaper
<p>‘A precious treat for Fallada fans: <em>Lilly and her Slave</em> tells a MeToo story from 1920s Berlin.’</p>
- Marc Reichwein, Literarische Welt
<p>‘These tales from the estate of Hans Fallada are a gem for fans, as are the circumstances of their discovery.’</p>
Welt am Sonntag