Praise for Ferdinand von Schirach
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<b>Ice-cool, effortlessly classy prose</b>
Observer
<b>Tantalising and disturbing in equal measure</b>
- Laura Wilson, Guardian
<b>An exceptional prose stylist</b>
New York Times
<b>A magnificent storyteller</b>
Der Spiegel
<b>Psychologically raw . . . delivered in a crisp translation by Katharina Hall, his unfussy prose is icily effective </b>. . . it suggests that all justice systems are flawed, that they are all just processes. And, with immense empathy, von Schirach's stories show what happens to people when they are processed.
- Christian House, Financial Times
<b>The stories are cool, meticulously crafted, pithy and mordantly amusing . . . this is an unsettling, affecting, extremely powerful book. Highly recommended</b>
- Declan Hughes, Irish Times
<b>An impressive page-turner with substance and bite</b>
Bookmunch
<b>Thrilling and edgy, often carrying a twist in the tale</b>
- To the Ends of the Word blog,
'Devastating and fascinating' New York Times
'Ice-cool, effortlessly classy prose' Observer
A group of respectable family men are charged with the brutal murder of a teenager.
A promising student gets caught up in a sadistic schoolboy gang.
A couple are bound together by the events of one bloody night.
Where do you draw the line between good and evil?
In Guilt, people commit violent, extraordinary acts; some are convicted in a court of law, others are not. But our narrator, a nameless lawyer, knows that this is never the whole story.
Drawn from Ferdinand von Schirach's eminent career as a criminal defence lawyer, the stories in Guilt blur fiction and truth, compelling us to question the difference between guilt and justice, innocence and complicity.