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Anne Carson was born in Canada and has been a professor of Classics for over thirty years. Her awards and honours include the T. S. Eliot Prize, a Lannan Award, the Pushcart Prize, the Griffin Prize, on two occasions, fellowships from the Guggenheim and MacArthur Foundations, and the Princess of Asturias Award for Literature 2020.<b>Uncompromisingly intelligent, while being effortlessly readable</b>, and – a word critics don’t often use about Carson – <b>fun</b>
Daily Telegraph
<b>I'm a big fan of her work</b>... There's a joy in encountering a mind that takes nothing for granted... She pinpoints the collision of oracle and anachronism
- Teju Cole, author of Tremor,
<i>Wrong Norma</i> is the poet at her best: <b>humorous, whimsical, erudite, moving, unpretentious</b>
Times Literary Supplement
<b>Reading this astounding, virtuosic book is a sampling of interiority</b>. It is extraordinary because the form partakes the unjoined nature of human thought…. <b>A triumph of a book</b>
Observer
<b>Carson’s latest work displays her brilliance and originality</b> through a series of hybrid, free-flowing text interspersed with images and digressions… <b>These prose poems evince clarity, precision and attention</b>
Guardian
She is <b>one of the few writers writing in English that I would read anything she wrote</b>
- Susan Sontag, author of Against Interpretation,
<b>Powerfully moving</b>... <i>Wrong Norma</i> can also be funny… <b>Full of wit, pain and the wonder of language</b>
Spectator
<b>Carson applies the habits of classical scholarship, the linguistic rigor, the relentless search for evidence</b>, the jigsaw approach to scattered facts, to the trivia of contemporary private life
New York Magazine
Anne Carson is, for me, <b>the most exciting poet writing in English today</b>
- Michael Ondaatje, author of The English Patient,
Her work is full of moments of startling originality and beauty. The poems play with character and plot, myth and magic; they are rich with attitude and wit and the undertow of grief. <b>If she was a prose writer she would instantly be recognised as a genius</b>
- Colm Tóibín, author of Brooklyn,
Wrong Norma is Anne Carson's first book of original material in eight years
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR POETRY
'Effortlessly readable and – a word critics don’t often use about her – fun' DAILY TELEGRAPH
'I'm a big fan... She pinpoints the collision of oracle and anachronism' TEJU COLE
As with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review.
Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this:
Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".