Part exploration of a key group of Black Canadian poets, part literary, cultural, and musical history, Soundin’ Canaan demonstrates how music in Black Canadian poetry is not solely aesthetic, but a form of social, ethical, and political expression.Soundin' Canaan refers to the code name often used for Canada during the Black migration to Canada. The book analyzes the contributions of key Black Canadian poets, including their poetic styles and their performances. The book has several key objectives, including recuperating the collision of the historical and the Biblically derived figure of Canaan, the promised land of freedom and security for an African American population seeking to leave the shackles of slavery behind and the northern terminus of the underground railroad. Centering around the poetry of George Elliott Clarke, Dionne Brand, M. NourbeSe Philip, Wayde Compton, and rapper K’naan, it delves into how these poets draw inspiration from African American and Afro-diasporic musical genres, such as blues, jazz, reggae and dub, hip-hop, and remix, to reshape the notions of identity and citizenship. Soundin' Canaan asks: what does Canadian citizenship sound like, especially when voiced by Black Canadian poets who embrace a fluid and multicultural form of citizenship that moves between local and global spaces, much like music does?Using a DJ Methodology, the author mixes in close readings of poetry, music, cultural and literary history, as well as various interviews with the poets. The book includes an accompanying soundtrack to further enhance the reading experience. Moreover, the book uses musical and sonic terms to analyze the poets’ works and reveals their engagement with ideals and exclusions of state-authorized multiculturalism in a society built upon settler colonialism and anti-Black racism. What happens when those not normally seen as citizens with full rights are brought more into the picture and seen as co-performers of the Canadian remix project? No longer for the elite alone, citizenship is to be universally conferred for all Canadians.
Les mer
Part exploration of a key group of Black Canadian poets, part literary, cultural, and musical history, Soundin’ Canaan demonstrates how music in Black Canadian poetry is not solely aesthetic, but a form of social, ethical, and political expression.
Les mer
PreludeIntroductionCoda: Dialogue and DissonanceChapter 1: Resounding the Past: Music, Listening, and Multicultural CitizenshipChapter 2: Blues Vernacular and “Harmonious Dissonance” in George Elliott Clarke’s Colouring Pentateuch: Blue, Black, Red, Gold, and WhiteChapter 3: Listening to a Listening: The Disruptive Jazz Poetics of Dionne Brand’s Ossuaries and The Blue Clerk (A Call Toward Freedom)Chapter 4: Dub Poetics and Improvised Chant in M. NourbeSe Philip’s Zong!Chapter 5: Wavin’ The Multicultural Flag: Canadian Hip Hop and Global Citizenship in K’naan’s musicChapter 6: Recovery And Remix: Wayde Compton’s Turntable PoeticsOutro: The New Black Can(Aan)Lit And The Community To Come
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Produktdetaljer

ISBN
9781771126212
Publisert
2024-11-30
Utgiver
Vendor
Wilfrid Laurier University Press
Vekt
272 gr
Høyde
229 mm
Bredde
152 mm
AldersnivĂĽ
G, 01
SprĂĽk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
400

Forfatter

Om bidragsyterne

Paul Watkins is a Professor of English at Vancouver Island University. He is also a research team member with the International Institute for Critical Studies in Improvisation (IICSI). He has published widely on multiculturalism, hip-hop, Canadian poetry, jazz, DJ culture, and improvisation. Under his DJ alias, DJ TechnĂŠ, he has completed several DJ projects that explore the spaces between poetry, hip-hop, and jazz.