Selected Poems of Philip Lamantia, 1943-1966 Pocket Poets No. 20

Lamantia, Philip Caples Garrett
Heftet / 2025 / Engelsk

Produktdetaljer

ISBN
9780872869349
Publisert
2025-03-20
Utgiver
Vendor
City Lights Books
Høyde
158 mm
Bredde
120 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
120

Forfatter
Lamantia, Philip
Redaktør
Caples Garrett

Om bidragsyterne

Philip Lamantia (1927 – 2005) first came to prominence as a 15-year-old poet in 1943, when he was published in the avant-garde periodical View and, the following year, in André Breton’s surrealist magazine in exile, VVV. He subsequently came under the influence of Kenneth Rexroth and participated in the famous 1955 Six Gallery reading, where Allen Ginsberg debuted “Howl.” Often considered a poet of the Beat Generation, his association with City Lights began in 1967, when Lawrence Ferlinghetti published Lamantia’s Selected Poems: 1943-1966 in the Pocket Poets Series. Following his next book, The Blood of the Air (1970), Lamantia published his remaining books with City Lights, including Becoming Visible (1981), Meadowlark West (1986), and Bed of Sphinxes (1997). He died in San Francisco, CA, in 2005.

Selected Poems of Philip Lamantia, 1943-1966 Pocket Poets No. 20

Lamantia, Philip Caples Garrett
Heftet / 2025 / Engelsk
Lamantia, Philip Caples Garrett
Heftet / 2025 / Engelsk
Nettpris:
245,-
Kommer i salg {date}
Sjekk lagerstatus i butikk

<p>"When Lamantia's <em>Selected Poems</em> was first published in the mid sixties, it captured the revolutionary spirit of the times and went on to become an unlikely bestseller. Like free jazz, Lamantia's poetry shows that visionary art can serve as the expression of social upheaval and the desire for progressive change—for what is heard in such work is the <em>pure cry of the crisis</em>. Thus the reissue of this classic <em>Selected</em> at our latest moment of crisis could not be more timely. As is true of the greatest poetry, Lamantia's work has maintained its relevance across historical epochs, offering many pathways to the garden of Utopia."<strong>—Andrew Joron, author of <em>O0</em></strong></p><p>"These poems having been ignited prior to our personal contact, they empower devastating riddles, compound projections, exploded amphorae, never as stillborn imaginative particles, never self-imbibed by lingual stasis, but as astronomical trace units alive as living realm '. . . to go beyond its own existence.' They are magnetic flares, potent sigils, magically arising from untold crevasses."<strong>—Will Alexander, author of <em>Divine Blue Light (for John Coltrane)</em></strong></p><p><strong><em>Praise for Philip Lamantia:<br /></em></strong></p><p>“A voice that rises once in a hundred years.”—<b>André Breton, cofounder of Surrealism<br /></b></p> <p>“An American original, soothsayer even as Poe, genius in the language of Whitman, native companion and teacher to myself.”—<b>Allen Ginsberg, author of <i>Howl and Other Poems</i></b><br /></p><p>“You will probably be our greatest living poet since Whitman.”—<b>Henry Miller, author of <i>Tropic of Cancer</i></b><br /></p><p>“Philip Lamantia’s poems are about rapture as a condition. They are spiritual and erotic at the same time. Bright and dark, the enclosed polarities of devotion. St. Teresa and Rimbaud.”—<b>Tom Clark, author of <i>Truth Game</i></b><br /></p><p>“The blade-flash of Lamantia’s word lode strikes the owl stone, arcs to inspire. A quotidian American surrealism? Sudden array of Lemmy Cautions dashing through a hundred identical hotel doors. Visions for sure. Quick! Akhmatova in Lemuria!”—<b>Clark Coolidge, author <i>The Crystal Text</i></b><br /></p> <p>“A man in command of a wild imagination . . . with a particular place in the ranks of the most important moderns.”—<i><b>Library Journal</b></i></p>

The original American surrealist returns in a new edition of the 1967 classic."I am eager to do a book of yours," Lawrence Ferlinghetti wrote to Philip Lamantia in Nerja, Spain in 1966. "What about SELECTED POEMS OF PHILIP LAMANTIA?" The missive came at the right time, as Lamantia had recently reembraced the surrealism of his youth and sought to publish his current work alongside his key poems of the 1940s, when the then-15-year-old poet was published by war-exiled leader of the Surrealist Movement, André Breton. For Breton, the young poet was a new Rimbaud, but Lamantia also became known as a poet of the Beat Generation, participating in the 1955 Six Gallery Reading where Allen Ginsberg debuted "Howl." A pioneer of San Francisco's psychedelic culture, Lamantia reemerged through City Lights at the crest of the Summer of Love.Selected Poems of Philip Lamantia reflects each facet of the poet's development up to the point of its publication. "Revelations of a Surreal Youth (1943–1945)" includes the incendiary poems from his teenage years which brought him early avant-garde fame, including his signature "Touch of the Marvelous." "Trance Ports (1948–1961)" covers the Beat years, evincing increasing involvement with mysticism, esoterism, and religion. Finally, "Secret Freedom (1963–1966)" heralds his return to surrealism, cementing his countercultural bona fides with the LSD-fueled "Blue Grace," the zig-zagging Kundalini-inspired "What Is Not Strange?" and the Aquarian Age ode "Astro-Mancy," which prefigures his later engagement with Native American culture.This new edition includes an afterword by poet and editor Garrett Caples, recounting the book's genesis through correspondence between Lamantia and Ferlinghetti and including archival images. A much-needed restoration to the Pocket Poets Series of today, Selected Poems of Philip Lamantia glows like a red-hot coal still burning with the revolutionary fervor of its time.
Les mer
"When Lamantia's Selected Poems was first published in the mid sixties, it captured the revolutionary spirit of the times and went on to become an unlikely bestseller. Like free jazz, Lamantia's poetry shows that visionary art can serve as the expression of social upheaval and the desire for progressive change—for what is heard in such work is the pure cry of the crisis. Thus the reissue of this classic Selected at our latest moment of crisis could not be more timely. As is true of the greatest poetry, Lamantia's work has maintained its relevance across historical epochs, offering many pathways to the garden of Utopia."—Andrew Joron, author of O0"These poems having been ignited prior to our personal contact, they empower devastating riddles, compound projections, exploded amphorae, never as stillborn imaginative particles, never self-imbibed by lingual stasis, but as astronomical trace units alive as living realm '. . . to go beyond its own existence.' They are magnetic flares, potent sigils, magically arising from untold crevasses."—Will Alexander, author of Divine Blue Light (for John Coltrane)Praise for Philip Lamantia:“A voice that rises once in a hundred years.”—André Breton, cofounder of Surrealism “An American original, soothsayer even as Poe, genius in the language of Whitman, native companion and teacher to myself.”—Allen Ginsberg, author of Howl and Other Poems“You will probably be our greatest living poet since Whitman.”—Henry Miller, author of Tropic of Cancer“Philip Lamantia’s poems are about rapture as a condition. They are spiritual and erotic at the same time. Bright and dark, the enclosed polarities of devotion. St. Teresa and Rimbaud.”—Tom Clark, author of Truth Game“The blade-flash of Lamantia’s word lode strikes the owl stone, arcs to inspire. A quotidian American surrealism? Sudden array of Lemmy Cautions dashing through a hundred identical hotel doors. Visions for sure. Quick! Akhmatova in Lemuria!”—Clark Coolidge, author The Crystal Text “A man in command of a wild imagination . . . with a particular place in the ranks of the most important moderns.”—Library Journal
Les mer

Relaterte produkter

<p>"When Lamantia's <em>Selected Poems</em> was first published in the mid sixties, it captured the revolutionary spirit of the times and went on to become an unlikely bestseller. Like free jazz, Lamantia's poetry shows that visionary art can serve as the expression of social upheaval and the desire for progressive change—for what is heard in such work is the <em>pure cry of the crisis</em>. Thus the reissue of this classic <em>Selected</em> at our latest moment of crisis could not be more timely. As is true of the greatest poetry, Lamantia's work has maintained its relevance across historical epochs, offering many pathways to the garden of Utopia."<strong>—Andrew Joron, author of <em>O0</em></strong></p><p>"These poems having been ignited prior to our personal contact, they empower devastating riddles, compound projections, exploded amphorae, never as stillborn imaginative particles, never self-imbibed by lingual stasis, but as astronomical trace units alive as living realm '. . . to go beyond its own existence.' They are magnetic flares, potent sigils, magically arising from untold crevasses."<strong>—Will Alexander, author of <em>Divine Blue Light (for John Coltrane)</em></strong></p><p><strong><em>Praise for Philip Lamantia:<br /></em></strong></p><p>“A voice that rises once in a hundred years.”—<b>André Breton, cofounder of Surrealism<br /></b></p> <p>“An American original, soothsayer even as Poe, genius in the language of Whitman, native companion and teacher to myself.”—<b>Allen Ginsberg, author of <i>Howl and Other Poems</i></b><br /></p><p>“You will probably be our greatest living poet since Whitman.”—<b>Henry Miller, author of <i>Tropic of Cancer</i></b><br /></p><p>“Philip Lamantia’s poems are about rapture as a condition. They are spiritual and erotic at the same time. Bright and dark, the enclosed polarities of devotion. St. Teresa and Rimbaud.”—<b>Tom Clark, author of <i>Truth Game</i></b><br /></p><p>“The blade-flash of Lamantia’s word lode strikes the owl stone, arcs to inspire. A quotidian American surrealism? Sudden array of Lemmy Cautions dashing through a hundred identical hotel doors. Visions for sure. Quick! Akhmatova in Lemuria!”—<b>Clark Coolidge, author <i>The Crystal Text</i></b><br /></p> <p>“A man in command of a wild imagination . . . with a particular place in the ranks of the most important moderns.”—<i><b>Library Journal</b></i></p>

The original American surrealist returns in a new edition of the 1967 classic."I am eager to do a book of yours," Lawrence Ferlinghetti wrote to Philip Lamantia in Nerja, Spain in 1966. "What about SELECTED POEMS OF PHILIP LAMANTIA?" The missive came at the right time, as Lamantia had recently reembraced the surrealism of his youth and sought to publish his current work alongside his key poems of the 1940s, when the then-15-year-old poet was published by war-exiled leader of the Surrealist Movement, André Breton. For Breton, the young poet was a new Rimbaud, but Lamantia also became known as a poet of the Beat Generation, participating in the 1955 Six Gallery Reading where Allen Ginsberg debuted "Howl." A pioneer of San Francisco's psychedelic culture, Lamantia reemerged through City Lights at the crest of the Summer of Love.Selected Poems of Philip Lamantia reflects each facet of the poet's development up to the point of its publication. "Revelations of a Surreal Youth (1943–1945)" includes the incendiary poems from his teenage years which brought him early avant-garde fame, including his signature "Touch of the Marvelous." "Trance Ports (1948–1961)" covers the Beat years, evincing increasing involvement with mysticism, esoterism, and religion. Finally, "Secret Freedom (1963–1966)" heralds his return to surrealism, cementing his countercultural bona fides with the LSD-fueled "Blue Grace," the zig-zagging Kundalini-inspired "What Is Not Strange?" and the Aquarian Age ode "Astro-Mancy," which prefigures his later engagement with Native American culture.This new edition includes an afterword by poet and editor Garrett Caples, recounting the book's genesis through correspondence between Lamantia and Ferlinghetti and including archival images. A much-needed restoration to the Pocket Poets Series of today, Selected Poems of Philip Lamantia glows like a red-hot coal still burning with the revolutionary fervor of its time.
Les mer
"When Lamantia's Selected Poems was first published in the mid sixties, it captured the revolutionary spirit of the times and went on to become an unlikely bestseller. Like free jazz, Lamantia's poetry shows that visionary art can serve as the expression of social upheaval and the desire for progressive change—for what is heard in such work is the pure cry of the crisis. Thus the reissue of this classic Selected at our latest moment of crisis could not be more timely. As is true of the greatest poetry, Lamantia's work has maintained its relevance across historical epochs, offering many pathways to the garden of Utopia."—Andrew Joron, author of O0"These poems having been ignited prior to our personal contact, they empower devastating riddles, compound projections, exploded amphorae, never as stillborn imaginative particles, never self-imbibed by lingual stasis, but as astronomical trace units alive as living realm '. . . to go beyond its own existence.' They are magnetic flares, potent sigils, magically arising from untold crevasses."—Will Alexander, author of Divine Blue Light (for John Coltrane)Praise for Philip Lamantia:“A voice that rises once in a hundred years.”—André Breton, cofounder of Surrealism “An American original, soothsayer even as Poe, genius in the language of Whitman, native companion and teacher to myself.”—Allen Ginsberg, author of Howl and Other Poems“You will probably be our greatest living poet since Whitman.”—Henry Miller, author of Tropic of Cancer“Philip Lamantia’s poems are about rapture as a condition. They are spiritual and erotic at the same time. Bright and dark, the enclosed polarities of devotion. St. Teresa and Rimbaud.”—Tom Clark, author of Truth Game“The blade-flash of Lamantia’s word lode strikes the owl stone, arcs to inspire. A quotidian American surrealism? Sudden array of Lemmy Cautions dashing through a hundred identical hotel doors. Visions for sure. Quick! Akhmatova in Lemuria!”—Clark Coolidge, author The Crystal Text “A man in command of a wild imagination . . . with a particular place in the ranks of the most important moderns.”—Library Journal
Les mer

Produktdetaljer

ISBN
9780872869349
Publisert
2025-03-20
Utgiver
Vendor
City Lights Books
Høyde
158 mm
Bredde
120 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
120

Forfatter
Lamantia, Philip
Redaktør
Caples Garrett

Om bidragsyterne

Philip Lamantia (1927 – 2005) first came to prominence as a 15-year-old poet in 1943, when he was published in the avant-garde periodical View and, the following year, in André Breton’s surrealist magazine in exile, VVV. He subsequently came under the influence of Kenneth Rexroth and participated in the famous 1955 Six Gallery reading, where Allen Ginsberg debuted “Howl.” Often considered a poet of the Beat Generation, his association with City Lights began in 1967, when Lawrence Ferlinghetti published Lamantia’s Selected Poems: 1943-1966 in the Pocket Poets Series. Following his next book, The Blood of the Air (1970), Lamantia published his remaining books with City Lights, including Becoming Visible (1981), Meadowlark West (1986), and Bed of Sphinxes (1997). He died in San Francisco, CA, in 2005.

Relaterte produkter