"Skujenieks makes his own emotions so gigantic that even the trees and the sun itself share them. The pines themselves want to escape, the sun is saddened, and yet, because the landscape shares in the prisoners’ suffering, that suffering is made bearable. . . . Nature, fierce and simple, is always interwoven with emotions in these poems. . . . Skujenieks’ strength is his ability to universalize his experience. . . . The poems in Seed in Snow can use this sort of shared experience to transport the reader into a far-off reality most of us will never experience." —Words Without Borders “Although Skujenieks’s poetry has been translated into more than thirty languages, this is the first collection in English. The selection is centered on the years [he was imprisoned] in Mordovia. The poems are highly diverse in style, tone, and motif, but throughout, despite a sometimes dark worldview, an irrepressible spirit keeps breaking through. He shows emotion and man’s engagement with others and with the world around him in voices other than his own, both human and taken from nature: voices as varied as that of the biblical Jacob, the poet Vallejo, a road, and a snowflake. He creates a sense of universality by conflating eras and events.” —Bitite Vinklers, from the Introduction
"Skujenieks makes his own emotions so gigantic that even the trees and the sun itself share them. The pines themselves want to escape, the sun is saddened, and yet, because the landscape shares in the prisoners’ suffering, that suffering is made bearable. . . . Nature, fierce and simple, is always interwoven with emotions in these poems. . . . Skujenieks’ strength is his ability to universalize his experience. . . . The poems in Seed in Snow can use this sort of shared experience to transport the reader into a far-off reality most of us will never experience." Words Without Borders Although Skujenieks’s poetry has been translated into more than thirty languages, this is the first collection in English. The selection is centered on the years [he was imprisoned] in Mordovia. The poems are highly diverse in style, tone, and motif, but throughout, despite a sometimes dark worldview, an irrepressible spirit keeps breaking through. He shows emotion and man’s engagement with others and with the world around him in voices other than his own, both human and taken from nature: voices as varied as that of the biblical Jacob, the poet Vallejo, a road, and a snowflake. He creates a sense of universality by conflating eras and events.” Bitite Vinklers, from the Introduction