Written in three weeks of creative inspiration, Rainer Maria Rilke's Sonnets to Orpheus (1923) is well known for its enigmatic power and lyrical intensity. The essays in this volume forge a new path in illuminating the philosophical significance of this late masterpiece. Contributions illustrate the unique character and importance of the Sonnets, their philosophical import, as well as their significant connections to the Duino Elegies (completed in the same period). The volume features eight essays by philosophers, literary critics, and Rilke scholars, which approach a number of the central themes and motifs of the Sonnets as well as the significance of their formal and technical qualities. An introductory essay (co-authored by the editors) situates the book in the context of philosophical poetics, the reception of Rilke as a philosophical poet, and the place of the Sonnets in Rilke's oeuvre. Above all, this volume's premise is that an interdisciplinary approach to poetry and, more specifically, to Rilke's Sonnets, can facilitate crucial insights with the potential to expand the horizons of philosophy and criticism. Essays elucidate the relevance of the Sonnets to such wide-ranging topics as phenomenology and existentialism, hermeneutics and philosophy of language, philosophy of mythology, metaphysics, Modernist aesthetics, feminism, ecocriticism, animal ethics, and the philosophy of technology.
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This volume sheds new light on the philosophical significance of Rilke's late masterpiece The Sonnets to Orpheus (1923). The volume features eight essays by philosophers, literary critics, and Rilke scholars, which explore a number of the central themes of the Sonnets as well as the significance of their formal qualities.
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Chapter 1. Introduction Hannah Vandegrift Eldridge and Luke Fischer Part I: Interiority, World-Disclosure, and Constructivism Chapter 2. On Inwardness and Place in Rilke's Sonnets to Orpheus James D. Reid Chapter 3. Rilke on Formally Disclosing the Meaning of Things Rick Anthony Furtak Chapter 4. The Modernism of The Sonnets to Orpheus: Abstraction and Figurality Hannah Vandegrift Eldridge Part II: Death, Love, and the Beyond Chapter 5. Beyond Existentialism: The Orphic Unity of Life and Death Luke Fischer Chapter 6. Love in Paramyth: On Rilke's Figuration of the Orpheus-Myth Christoph Jamme Chapter 7. The Feminine in Rilke's Sonnets to Orpheus: A Philosophy of Productive Deprivation Kathleen L. Komar Part III: Ecocriticism and Animal Ethics Chapter 8. The Imaginative Ecology of Rilke's Sonnets to Orpheus Jennifer Anna Gosetti-Ferencei Chapter 9. The Pozzo Sonnet: Rilke and the Killing of the Doves David Brooks Index
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Selling point: Comprises the first major English language volume on The Sonnets to Orpheus Selling point: Represents one of few treatments of literature and philosophy to focus on a lyric poet Selling point: Includes work by established and award-winning poets as well as literary scholars and philosophers Selling point: Presents a cutting-edge approach to interdisciplinary scholarship in uniting philosophy, criticism, and poetics
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Hannah Vandegrift Eldridge is Associate Professor of German at the University of Wisconsin - Madison. Her research focus is literature of the 18th to 20th century, with particular interest in lyric poetry, metrical theory, literature and philosophy, and the relationship between sound and text. Her first monograph, Lyric Orientations: Hölderlin, Rilke, and the Poetics of Community appeared with Cornell University Press in 2015; she has also published on Wittgenstein, Klopstock, Nietzsche, and the contemporary poet Durs Grünbein. Luke Fischer is a philosopher, poet, and scholar of poetry. His books include The Poet as Phenomenologist: Rilke and the "New Poems" (Bloomsbury, 2015) and the poetry collections A Personal History of Vision (UWAP, 2017) and Paths of Flight (Black Pepper, 2013). He has authored and co-edited works on poetry, philosophy, art, and the environment, including the special section "Goethe and Environmentalism" in the Goethe Yearbook (2015). He is an honorary associate of the University of Sydney. More information can be found at his website: www.lukefischerauthor.com
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Selling point: Comprises the first major English language volume on The Sonnets to Orpheus Selling point: Represents one of few treatments of literature and philosophy to focus on a lyric poet Selling point: Includes work by established and award-winning poets as well as literary scholars and philosophers Selling point: Presents a cutting-edge approach to interdisciplinary scholarship in uniting philosophy, criticism, and poetics
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Produktdetaljer

ISBN
9780190685423
Publisert
2019
Utgiver
Vendor
Oxford University Press Inc
Vekt
340 gr
Høyde
140 mm
Bredde
208 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
304

Om bidragsyterne

Hannah Vandegrift Eldridge is Associate Professor of German at the University of Wisconsin - Madison. Her research focus is literature of the 18th to 20th century, with particular interest in lyric poetry, metrical theory, literature and philosophy, and the relationship between sound and text. Her first monograph, Lyric Orientations: Hölderlin, Rilke, and the Poetics of Community appeared with Cornell University Press in 2015; she has also published on Wittgenstein, Klopstock, Nietzsche, and the contemporary poet Durs Grünbein. Luke Fischer is a philosopher, poet, and scholar of poetry. His books include The Poet as Phenomenologist: Rilke and the "New Poems" (Bloomsbury, 2015) and the poetry collections A Personal History of Vision (UWAP, 2017) and Paths of Flight (Black Pepper, 2013). He has authored and co-edited works on poetry, philosophy, art, and the environment, including the special section "Goethe and Environmentalism" in the Goethe Yearbook (2015). He is an honorary associate of the University of Sydney.