"The book is an extraordinary object to behold, and more extraordinary to read, but it's hardly accurate to even call it a ‘book.’ It's perhaps 10 feet of paper, folded accordion-like, displaying as near a reproduction of Carson's original collage journal as is possible. The whole thing is folded and packed into a beautiful gray box….The result is breathtaking, evidence of visionary publishing at a moment when the book business is increasingly cynical."
- Publishers Weekly,
"Trust me: it's an Anne Carson book. Maybe her best....The book is totally recherché and weirdly clear, lingered over and neatly boxed. Precious in the word’s best sense."
- Ben Ratliff - The New York Times Book Review,
"Carson has . . . created an individual form and style for narrative verse. . . . Seldom has Pound’s injunction ‘Make It New’ been so spectacularly obeyed."
- The New York Review of Books,
"Anne Carson is a poet who likes to get under people’s skin."
- Melanie Rehak - The New York Times Magazine,
"Rarely has forking over thirty dollars felt like such a solemn act of memorial."
- New York Review of Books,
"<em>Nox</em>’s intelligence, sadness, and wry humor alone might be enough, but its form takes me even more. To read is sensual. You handle the folds, opening one winged pair at a time or in quick, slinky unfurlings. And this read is not linear, with pages dissolving behind you as you turn, but spatial, more like letting your eyes wander a room. With the whole book unfurled you see it entire and make links among images, like a staircase or an egg that reappear folds apart, and among words like ash, festive, blush. You prowl the book itself."
- The Millions,
"She is one of the few writers writing in English that I would read anything she wrote."
- Susan Sontag,