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My Life as a Painter

Sweeney, Matthew
Heftet / 2018 / Engelsk

Produktdetaljer

ISBN
9781780374147
Publisert
2018-04-26
Utgiver
Bloodaxe Books Ltd; Bloodaxe Books Ltd
Høyde
216 mm
Bredde
138 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Forfatter
Sweeney, Matthew

Om bidragsyterne

Matthew Sweeney (1952-2018) was born in Lifford, Co. Donegal, Ireland. He moved to London in 1973 and studied at the Polytechnic of North London and the University of Freiburg. After living in Berlin and Timisoara for some years, he returned to Ireland and settled in Cork. He died in August 2018 from motor neurone disease. His poetry collections include: A Dream of Maps (1981), A Round House (1983), The Lame Waltzer (1985) from Allison & Busby / Raven Arts Press; Blue Shoes (1989) and Cacti (1992) from Secker & Warburg; The Bridal Suite (1997), A Smell of Fish (2000), Selected Poems (2002), Sanctuary (2004) and Black Moon (2007) from Jonathan Cape; The Night Post: A Selection (Salt, 2010); Horse Music (2013), Inquisition Lane (2015), My Life as a Painter (2018) and Shadow of the Owl (2020) from Bloodaxe; and King of a Rainy Country (2018) from Arc, a book of prose poems set in Paris, and responding to Baudelaire’s Le Spleen de Paris. Black Moon was shortlisted for the T.S. Eliot Prize and for the Irish Times Poetry Now Award. Horse Music won the inaugural Pigott Poetry Prize in association with Listowel Writers’ Week, and is a Poetry Book Society Recommendation. Shadow of the Owl is a Poetry Book Society Wild Card Choice for Winter 2020. He also published editions of selected poems in Canada (Picnic on Ice, Vehicule Press, 2002) and two translated by Jan Wagner in Germany, Rosa Milch (Berlin Verlag, 2008) and Hund und Mond (Hanser Berlin, 2017). Jan Wagner’s German translation of Shadow of the Owl is forthcoming from Hanser Berlin. He won a Cholmondeley Award in 1987 and an Arts Council Writers' Award in 1999. He also published poetry for children, with collections including The Flying Spring Onion (1992), Fatso in the Red Suit (1995) and Up on the Roof: New and Selected Poems (2001). His novels for children include The Snow Vulture (1992) and Fox (2002). He edited The New Faber Book of Children's Poems (2003) and Walter De la Mare: Poems (2006) for Faber; co-edited Emergency Kit: Poems for Strange Times (Faber, 1996) with Jo Shapcott; and co-wrote Writing Poetry (Teach Yourself series, Hodder, 1997) and the comic novel Death Comes for the Poets (Muswell Press, 2012) with John Hartley Williams.

My Life as a Painter

Sweeney, Matthew
Heftet / 2018 / Engelsk
Sweeney, Matthew
Heftet / 2018 / Engelsk
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'...one of the most adventurous, life-enhancing and distinctive poets of his gifted generation.' – Bill Swainson paying tribute to the late Matthew Sweeney in The Guardian

'Matthew had the courage of his own idiosyncratic sensibility; nobody now writing has Matthew’s gift for employing language and images of fable to such a dark and unsettling effect, ringing the changes from tenderness to dark comedy with such power and verve.' – Theo Dorgan, paying tribute to Matthew Sweeney in The Irish Times

‘… his was a poetry of great possibility, a poetry of hope – for all its apparent darkness – a poetry of an imagined, alternative reality.’ – Keith Payne, Dublin Review of Books [on Matthew Sweeney’s 12th collection My Life as a Painter]

‘In Sweeney’s universe everything has multiple and perplexing meanings – his ‘alternative realism’ permits the everyday to co-exist with the fantastic in equally poignant and hilarious ways.’ – Pippa Little, Magma [on My Life as a Painter]

‘There’s an exuberance about the fantastical imagery of Cork-based Matthew Sweeney that gives his work the kind of popular accessibility you don’t often find in a poet so accomplished and experienced. Despite the fact that My Life as Painter is his 12th collection, he remains not only committed to taking his art to its highest form, but to ensuring his words still touch his readers.’ – Cork Evening Echo

Matthew Sweeney's palette in My Life as a Painter - his twelfth collection - features a wild mix of birds and animals: lizards, snakes, rats, camels, donkeys, feral cats, dogs and owls. One dog transmits telepathic requests for the food he wants, and there's a parrot who speaks as ambassador for the bird world. Sweeney's canvas here is the transhuman: where boundaries between human and non-human can't be fixed, dreams turn into torments, secrets stay hidden, strange communiques remain unclear, and the natural weirdness of his native Donegal verges on the surreal. There are poems ostensibly about art, artists and filmmaking which are as much portraits of the poet and the difficulties of writing poetry. Other poems offer oblique perspectives on religion, warfare, migration and displacement; or go off at a tangent to explore the imaginative possibilities of everything from Michigan's Mullett Lake and the geysers of Iceland to rope-ladders, tin-mines, a giant blue cabbage and an old thrown-out Christmas tree.
Les mer
Twelfth collection by leading Irish poet features poems ostensibly about art, artists and filmmaking which are as much portraits of the poet and the difficulties of writing poetry, plus surreal poems on birds and animals.
Les mer

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'...one of the most adventurous, life-enhancing and distinctive poets of his gifted generation.' – Bill Swainson paying tribute to the late Matthew Sweeney in The Guardian

'Matthew had the courage of his own idiosyncratic sensibility; nobody now writing has Matthew’s gift for employing language and images of fable to such a dark and unsettling effect, ringing the changes from tenderness to dark comedy with such power and verve.' – Theo Dorgan, paying tribute to Matthew Sweeney in The Irish Times

‘… his was a poetry of great possibility, a poetry of hope – for all its apparent darkness – a poetry of an imagined, alternative reality.’ – Keith Payne, Dublin Review of Books [on Matthew Sweeney’s 12th collection My Life as a Painter]

‘In Sweeney’s universe everything has multiple and perplexing meanings – his ‘alternative realism’ permits the everyday to co-exist with the fantastic in equally poignant and hilarious ways.’ – Pippa Little, Magma [on My Life as a Painter]

‘There’s an exuberance about the fantastical imagery of Cork-based Matthew Sweeney that gives his work the kind of popular accessibility you don’t often find in a poet so accomplished and experienced. Despite the fact that My Life as Painter is his 12th collection, he remains not only committed to taking his art to its highest form, but to ensuring his words still touch his readers.’ – Cork Evening Echo

Matthew Sweeney's palette in My Life as a Painter - his twelfth collection - features a wild mix of birds and animals: lizards, snakes, rats, camels, donkeys, feral cats, dogs and owls. One dog transmits telepathic requests for the food he wants, and there's a parrot who speaks as ambassador for the bird world. Sweeney's canvas here is the transhuman: where boundaries between human and non-human can't be fixed, dreams turn into torments, secrets stay hidden, strange communiques remain unclear, and the natural weirdness of his native Donegal verges on the surreal. There are poems ostensibly about art, artists and filmmaking which are as much portraits of the poet and the difficulties of writing poetry. Other poems offer oblique perspectives on religion, warfare, migration and displacement; or go off at a tangent to explore the imaginative possibilities of everything from Michigan's Mullett Lake and the geysers of Iceland to rope-ladders, tin-mines, a giant blue cabbage and an old thrown-out Christmas tree.
Les mer
Twelfth collection by leading Irish poet features poems ostensibly about art, artists and filmmaking which are as much portraits of the poet and the difficulties of writing poetry, plus surreal poems on birds and animals.
Les mer

Produktdetaljer

ISBN
9781780374147
Publisert
2018-04-26
Utgiver
Bloodaxe Books Ltd; Bloodaxe Books Ltd
Høyde
216 mm
Bredde
138 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Forfatter
Sweeney, Matthew

Om bidragsyterne

Matthew Sweeney (1952-2018) was born in Lifford, Co. Donegal, Ireland. He moved to London in 1973 and studied at the Polytechnic of North London and the University of Freiburg. After living in Berlin and Timisoara for some years, he returned to Ireland and settled in Cork. He died in August 2018 from motor neurone disease. His poetry collections include: A Dream of Maps (1981), A Round House (1983), The Lame Waltzer (1985) from Allison & Busby / Raven Arts Press; Blue Shoes (1989) and Cacti (1992) from Secker & Warburg; The Bridal Suite (1997), A Smell of Fish (2000), Selected Poems (2002), Sanctuary (2004) and Black Moon (2007) from Jonathan Cape; The Night Post: A Selection (Salt, 2010); Horse Music (2013), Inquisition Lane (2015), My Life as a Painter (2018) and Shadow of the Owl (2020) from Bloodaxe; and King of a Rainy Country (2018) from Arc, a book of prose poems set in Paris, and responding to Baudelaire’s Le Spleen de Paris. Black Moon was shortlisted for the T.S. Eliot Prize and for the Irish Times Poetry Now Award. Horse Music won the inaugural Pigott Poetry Prize in association with Listowel Writers’ Week, and is a Poetry Book Society Recommendation. Shadow of the Owl is a Poetry Book Society Wild Card Choice for Winter 2020. He also published editions of selected poems in Canada (Picnic on Ice, Vehicule Press, 2002) and two translated by Jan Wagner in Germany, Rosa Milch (Berlin Verlag, 2008) and Hund und Mond (Hanser Berlin, 2017). Jan Wagner’s German translation of Shadow of the Owl is forthcoming from Hanser Berlin. He won a Cholmondeley Award in 1987 and an Arts Council Writers' Award in 1999. He also published poetry for children, with collections including The Flying Spring Onion (1992), Fatso in the Red Suit (1995) and Up on the Roof: New and Selected Poems (2001). His novels for children include The Snow Vulture (1992) and Fox (2002). He edited The New Faber Book of Children's Poems (2003) and Walter De la Mare: Poems (2006) for Faber; co-edited Emergency Kit: Poems for Strange Times (Faber, 1996) with Jo Shapcott; and co-wrote Writing Poetry (Teach Yourself series, Hodder, 1997) and the comic novel Death Comes for the Poets (Muswell Press, 2012) with John Hartley Williams.

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