Exquisite hardcover gift edition of the groundbreaking poetry collection by the leader of the "New York School" of poetry, Frank O'Hara. Published on the 50th anniversary of Lunch Poems.Lunch Poems, first published in 1964 by City Lights Books as number nineteen in the Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. Edited by the poet in collaboration with Lawrence Ferlinghetti and Donald Allen, who had published O'Hara's poems in his monumental The New American Poetry in 1960, it contains some of the poet's best known works including "The Day Lady Died," "Ave Maria," and "Poem" [Lana Turner has collapsed!]. These are the compelling and formally inventive poems—casually composed, for example, in his office at The Museum of Modern Art, in the street at lunchtime or on the Staten Island Ferry en route to a poetry reading—that made O'Hara a dynamic leader of the "New York School" of poets.This new limited 50th anniversary edition contains a preface by John Ashbery and an editor's note by City Lights publisher Lawrence Ferlinghetti, along with facsimile reproductions of a selection of previously unpublished correspondence between Ferlinghetti and O'Hara that shed new light on the preparation of Lunch."I hope that everyone will delight in the new edition of Frank's LUNCH POEMS. The correspondence between Lawrence and Frank is great. Frank was just 33 when he wrote to Lawrence in 1959 and 38 when LUNCH POEMS was published! The fact that City Lights kept Frank's LUNCH POEMS in print all these years has been extraordinary, wonderful and a constant comfort. Hurray for independent publishers and independent bookstores. Many thanks always to Lawrence Ferlinghetti and everyone at City Lights." —Maureen O'Hara, sister of Frank O'Hara"O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age."—Dwight Garner, New York Times"As collections go, none brings . . . quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights."—Nicole Rudick, The Paris Review"What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction — that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of Lunch Poems: not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." —David L. Ulin, Los Angeles TImes"The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience—much like today's Twitter and Facebook feeds."—Micah Mattix, The Atlantic
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50th anniversary hardcover gift edition of the groundbreaking poetry collection by the leader of the "New York School" of poetry.
PRINT CAMPAIGN:SF Chronicle, SF Bay Guardian, SF Weekly, 7x7, San Francisco Magazine, Bookforum, New York Review of Books, Boston Review, Bloomsbury Review, Brooklyn Rail, Poetry Flash, Poets and Writers, Chicago Review, Denver Quarterly, Hudson Review, Kenyon Review, LA Times Book Review, NY Times, The Nation, New Yorker, Newsday, St Marks Poetry Project.Advocate, Bay Area Reporter, Out, The Gay & Lesbian Review, Beat Scene MagazineWe'll send to the trades: PW, Booklist, and Library Journal.SOCIAL MEDIA AND ONLINE CAMPAIGN:Daily Beast, Boing Boing, Reality Sandwich, Rumpus, BOMB, Constant Critic, Conversational Reading, Poetry Daily, thepoetry.com, Poetry Society of America, Identity Theory, NYer's Book Bench, Bookslut, and Shelf Awareness, Literary Kicks, Beat Review, Dharma Beat, Kerouac Project, Daily Beat, ThirdMindBooks, The Volta, NY School Poets Blog, Facebook, Twitter, Goodreads, Wikipedia, frankohara.orgCommemorative 50th anniversary events: We'd like to plan a large event in NYC working with Alice Quinn, former New Yorker poetry editor, connecting with Jim Jarmusch, Thurston Moore, and others who endorsed Poems Retrieved. We'd also like to do a Bay Area event.
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Inspired by the French poetry series, Poètes d'aujourd'hui, Lawrence Ferlinghetti launched the Pocket Poets Series in 1955 with his own Pictures of the Gone World. The success and scandal of Number Four, Howl & Other Poems (1956), established City Lights as a major alternative press for the most innovative American and international poetry, a tradition the series continues today, at 60 volumes and counting, remaining true to Ferlinghetti’s founding vision. "From the beginning," he writes, "the aim was to publish across the board, avoiding the provincial and the academic. I had in mind rather an international, dissident, insurgent ferment. What has proved most fascinating are the continuing cross-currents and cross-fertilizations between poets widely separated by language or geography, from France to Germany to Italy to America North and South, East and West, coalescing in a truly supra-national poetic voice."“As long as there is poetry, there will be an unknown; as long as there is an unknown there will be poetry. The function of the independent press (besides being essentially dissident) is still to discover, to find the new voices and give voice to them.” ---Lawrence Ferlinghetti
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Produktdetaljer

ISBN
9780872866171
Publisert
2014-08-28
Utgiver
Vendor
City Lights Books
Vekt
170 gr
Høyde
165 mm
Bredde
127 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
104

Forfatter
Foreword by

Om bidragsyterne

Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore’s new single evidence our culture’s continuing fascination with this innovative poet.