In this inventive collection, Julianna Baggott invites readers to reconsider basic assumptions about language, faith, motherhood, and love. With a sharply honed voice featuring parentheticals that often comment on and sometimes undercut what has come before, these poems whirl through contemporary America, engaging with topics as diverse and timely as Russian mail-order brides, Internet bullying, and school shootings.Alongside her cultural commentary, the speaker frankly confronts love and sex, as well as the beauty and brutality of having children. Still other poems reflect questions and considerations of faith: the speaker ponders St. Thomas in a pet store and imagines Jesus explaining to God how it feels to have a body.Baggott’s use of obsolete Old English words subverts common language and creates new ways of interrogating the world around us. There is heartache on these pages but Baggott also offers humor, such as a complaint about a lover’s eating habits or an extended discourse on a baby’s rattle. Baggott’s latest proves to be a rollicking book sui generis.
Les mer
In this inventive collection, Julianna Baggott invites readers to reconsider basic assumptions about language, faith, motherhood, and love. With a sharply honed voice featuring parentheticals that often comment on and sometimes undercut what has come before, these poems whirl through contemporary America.
Les mer

Produktdetaljer

ISBN
9780809335732
Publisert
2017-01-11
Utgiver
Vendor
Southern Illinois University Press
Vekt
160 gr
Høyde
229 mm
Bredde
152 mm
Dybde
10 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Forfatter

Om bidragsyterne

Julianna Baggott is the author of over twenty books, three of which are collections of poetry—This Country of Mothers,, Compulsions of Silkworms and Bees, and Lizzie Borden in Love. Her poems have appeared in Best American Poetry, Poetry, Agni, and the Southern Review, and been read on NPR’s Talk of the Nation. She teaches in the Florida State University College of Motion Picture Arts and holds the Jenks Chair of Contemporary American Letters at the College of the Holy Cross.