In this inspiring and heartwarming book, readers will Understand how to make happiness a decision, even when they don’t feel it in their bones. Find out how to exercise patience and self-acceptance. Attract hope and purpose back into their life

“Happy, Okay? is a beautifully written meditation filled with poignant and lyrical revelations on the joys, pains, and complications of life and the daily struggle to survive, create, and love.” —Edwidge Danticat, internationally acclaimed Haitian-American novelist and short story writer “M.J. Fievre’s Happy, Okay? offers us a hybrid reading experience. In this poem-play, or play-poem ‘a shadow/woman, a charcoal sketch’ journeys through the labyrinth of Big Pharma, a difficult love affair, and self-reflection to reach moments of the divine. Though hopeful, Happy, Okay? is not a happily-ever-after tale, but a realistic look at mental illness, the patriarchy, race, and gender. M.J. Fievre beautifully conjures a complex inner life under Miami's glaring sun.” —Denise Duhamel, National Endowment for the Arts Fellow, and guest editor of The Best American Poetry 2013 “In Paloma, M.J. Fievre has created a woman struggling for self-discovery. This is not easy when Paloma knows all too well that at the borders of existence dwell darkness, depression, and dead-eyed grief. A place where love can be both oasis and razor; where affection can become a ghostly and fleeting affliction not easily healed by words or human touch. Paloma travels these borderlands—far beyond grim silences and all-consuming shadows; far beyond medications like Zoloft, Prozac & Luvox that have comprised the lexicon of her human imbalance to ultimately reach the true north of human love. Love of self, and love of others. Ultimately, it is through Paloma’s journey that we can all learn to heal—if we remember to breathe, practice gratitude, and self-care. And above all else, keep the faith.” —Rich Ferguson, L.A. poet/novelist/spoken-word performer  “Think of this beautiful book as a toolkit of verse shedding light on what it's like, what it's really like, to suffer from, or love someone suffering from, anxiety and mental illness. A musical weapon of a fable for girls of all colors, that they may manage a confusing world and save themselves with self-love.” —Anjanette Delgado, author of The Clairvoyant of Calle Ocho​ “Clinical depression is a cold hand squeezing your heart. Anxiety feels like a close call with death. Reading Happy, Okay? told me I'm not alone in the struggle with mental illness. Paloma, the protagonist, goes from drowning in a sea of hopelessness to swimming to the shore of joy, deftly sharing with the reader tools to navigate the murky waters of her brain. In the end, happiness requires some work from within. I know it first-hand. On reading M.J. Fievre´s narrative poem, I believe the reader will know too.” —Lorraine C. Ladish, founder of VivaFifty.com & TheFlawedYogini.com “In this brave and complex narrative poem, M. J. Fievre rips the veil from the face of mental illness showing us a tortured emotional landscape that disavows the salvific potential of romance and eschews easy notions of escape from a mind inured in pain. Paloma, the female speaker in the poem, is keenly aware of the maelstrom of chaos, indeterminacy, and fragility that renders her internal landscape a site of trauma that will require therapy, medication, time, and interiority to restore. “Happy, Ok? uses language that is raw, fresh, and at times, startling beautiful, to chart a myriad existence that recalls and implicates personal and political history, memory, home, family, and lived experience as sites of alterity, sustenance, alienation and possibility. “Place is paramount in Fievre’s poem. Miami, the northernmost Caribbean city, is a uniquely American polyglot of Haitian Creole, Jamaican Patois, Cuban Spanish, cortaditos and café-crème. Rendered as co-conspirator in the trauma of erasure for the Black Caribbean female subject, Miami is also a site of reconstitution and re-memory. ‘Miami is a conspiracy of ravens on telephone poles. Miami is roads always under construction…’ “The Caribbean, a priori site of alterity, liminality and displacement, is also home. But it is a home that incites psychic and existential homelessness, silences and erasures with its disquieting and irreconcilable contradictions. “Yet Paloma, while brutally honest, is never hopeless. Clear-eyed and unsentimental, she disavows facile notions of wholeness and unity in a world that fragments, displaces and discards with impunity. If she has one salvific wish, it is the wish to be her own messiah. She is fragile, yet stubbornly determined to name, define, dissect, and thereby claim ownership and authority over her depression, sedulously reaching for stability and empowerment via the aegis of audacious storytelling, rigorous self-excavation and emerging faith.” —Donna Aza Weir-Soley, author of Eroticism, Spirituality, and Resistance in Black Women’s Writings and The Woman Who Knew “Every sentence is ripe with flourish.” —The Miami Herald “She writes masterfully of emotion, giving concrete weight to words that are otherwise just floating, fluttering ideas.” — Pank Magazine “A fresh voice in an increasingly globalized world, MJ is well on her way to becoming one of our generations’ most enduring literary talents.” —Saw Palm: Florida Literature & Art “M.J. Fievre has written a classic Greek drama set in Hialeah, a latticework of speech set, at first, on the stage of a Metrorail station, and then in the manifesto-ridden psyche of a Miami woman in the midst of a rebirth. And what’s more Miami than a reinvention? The story in Happy, Okay? is timeless—love gained, love lost—but the characters and setting are pure Miami. My heart leapt every time I came across a mamey, an azalea, or a sapote. I could hear the rara band. I could taste the cold bottle of Prestige. ‘Where we come from,’ Fievre writes, ‘no one has the luxury of self-loathing.’ This isn't the Miami you read about in brochures; it's the Miami where ‘the moon is throwing knives through the trees;’ ‘Coqui frogs sing their love-croaks;’ and the air smells like breadfruit. In other words, it's the Miami we love.” —Scott Cunningham, founder/executive director of O, Miami “M.J. Fievre’s Happy, Okay? is a healing balm, a rapturous song of the self, a reminder that breaking is just another kind of rebirth. Told in breathtaking monologues and poetry, Happy, Okay? examines the roles we wear and let loose, and the stories we hold in our shadows. This collection declares ‘You are here. Nowhere else. & you are divine.’ A must read! You’ll be happy you picked up Happy, Okay? and happy to share it with everyone you know.” —Jennifer Maritza McCauley, author of SCAR ON/SCAR OFF “M.J. Fievre's poem, Happy, Okay, is an ambitious, fascinating, sprawling, multivoiced work that sucks the reader in and does not let go. In rhythmic, evocative poetry, Fievre brings to vivid life the story of Paloma and Jose Armando—with Shadow, a disembodied voice of pain and hurt, swirling around them and within them. In Fievre's lines, the city of Miami, specifically its Hialeah neighborhood, becomes more than just the backdrop for these two lovers—in Happy, Okay, we hear and sense the sounds, sights, and languages, the patois of Haitians, Jamaicans and Cubans, the sweetness of tropical fruit. These lovers orbit each other in their pain and desire, but the reader will soon discover this is no mere tale of ill-fated lovers. It's a meditation on what we need to be happy, and an exploration of that hard-won wisdom. This poem, this book, will both haunt and delight, tease and deliver. It's a world of wonder, and a salve for our troubled times.” —Allison Joseph, author of Confessions of a Barefaced Woman

MJ is widely read in the French Caribbean http://ile-en-ile.org/fievre/ She has authored nine books in French Her short stories and poems in English have appeared in various anthologies and magazines Her plays have been performed at the Miami MicroTheater, at the O, Miami Festival, at Poetry Press Week, and at Compositum Musicae Novae. In 2016, Aesop Coconut Grove hosted an installation representing the meters of M.J.’s poem, “On Charles Avenue.” She founded Sliver of Stone Magazine She obtained an MFA from the Creative Writing Program at Florida International University. She taught writing for 8 years at Nova Middle School in Davie, and later became a writing professor at Broward College and Miami Dade College. She’s been a key note speaker at Tufts University (Massachusetts), Howard University (Washington, D.C.), the University of Miami (Florida), and Michael College (Vermont), and a panelist at the Association of Writers & Writing Programs Conference (AWP).  She’s taught ekphrastic poetry and haiku workshops at the Miami Art Museum, and in various schools, including iTech @ Thomas A. Edison Educational Center, in Miami, and Tedder Elementary, in Pompano Beach. She’s an ambassador for Lip Service, a John S. and James L. Knight Foundation award-winning organization and a Miami institution. She’s also a proud member of the Miami Poetry Collective, famous for its Poem Depot, a regular feature of Wynwood’s Second Saturday Art Walk. She’s participated to Haiti en Livres, the Anancy Festival, and the South Florida Book Festival, and at various literary events at Miami  City Hall, Miami Dade College, Broward College (“Caribbean Week” and “Literary Feast”), and the University of Miami. She’s an educator who wrote several educational scripts for the University of Miami, Department of Epidemiology and Public Health. The scripts, turned into short films, were written in both English and Haitian Creole and aim at educating the Little Haiti community about diabetes, cervical cancer, and the HPV vaccine. In March 2015, M.J. received the “Beacon of Hope and Achievement Award” from the Consulate General of Haiti in Miami. M.J. currently serves at the ReadCaribbean program coordinator for the Miami Book Fair.