Erec & Enide is a bold and unashamedly intimate work that delights in the theatrical, communicative powers of language, and by turns gives way to a quiet sadness. Writing out of contemporary feminist revisions of lyric and epic forms, the poems set up an overtly feminised display which the reader then re-enacts to find meanings which do not ally and a feminism which does not conform to conventional modes of uplift.

Taking its title from Chretien De Troyes’ twelfth-century Arthurian romance, Erec & Enide draws on Jack Spicer’s The Holy Grail, the pastoral romanticism of John Clare, the feminist projects of Lisa Robertson and the essays of Kathy Acker as it moves through a vibrant, rich and playful mix of underhand lyric. These modern love poems wear their ideologically saturated state on their sleeve, and are all the more loving for that.

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Taking its title from Chretien De Troyes’ twelfth-century Arthurian romance, Erec & Enide moves through a vibrant, rich and playful mix of underhand lyric. A deceptive and light-footed vulnerability unexpectedly folds in on itself to throw up the most serious questions; then resolutely refuses to ‘make sense’ of things.

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  • Poetry for Boys
  • Dreamboat
  • Erec & Enide
  • Three in a Boat
  • 593
  • Sonnet
  • A Note on Clarity
  • David
  • Five Exits
  • Since We’ve Lived Here
  • One Two
  • Lisa Jarnot’s Rabbit
  • Letter to John Clare
  • Lena at the Beach
  • Soliloquy for Living People
  • Jaguar
  • Notes
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It is the world’s wild glare that provides the complex heart of Erec & Enide. With wisdom, uncommon wit, and precision, Amy De’Ath’s spirited first book unsettles all things to reveal that neither a language nor a body is a closed system. De’Ath’s is an inclusive imagination that meets the world with lyric intensity and irony – her poems invite us to feel: “stranger, it’s a hunger I’m looking for.”

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It is the world's wild glare that provides the complex heart of Erec & Enide. With wisdom, uncommon wit, and precision, Amy De'Ath's spirited first book unsettles all things to reveal that neither a language nor a body is a closed system. De'Ath's is an inclusive imagination that meets the world with lyric intensity and irony - her poems invite us to feel: "stranger, it's a hunger I'm looking for." -- Peter Gizzi Lyrical, local, literary, strong, domestic, delicate, sexy and epic, Amy De'Ath's Erec & Enide also brings the modernity and speed of much recent North American poetry to these too-often inward-looking isles. De'Ath's emphatic arrival on the British poetry scene is cause for both hope and celebration. -- Tim Atkins While we oscillate between life and death, Amy De'Ath's poetry looks to the whir, the engines and the effects of such daily migrations. She ably slows us to take in and weigh the view, to ask how we construct the 'publicity of meaning'. De'Ath's is a sensitive search; and while the unearthed may challenge ('opened every cupboard looking for the nature of it'), the unanswerable space is enriching. Erec & Enide is fiery and soft. Let it carry you on wings of seductive metrics and lyric playfulness, below and between timeless narratives. -- Amy King
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Poetry for Boys

That the Joy will soon come and make you suffer!

i

Lay low in the words of the wood,

very subtle, not immune,

lay down in the snow and incline,

you are rest enough and dowry,

in the lay and the spook of an age,

very poor, still glamour,

still further than you think even

more, from the day duly swallow,

to the real green day in the dream,

very full, cracking bough,

the undoing publicity of meaning

all the whole black sky is feeling

the screwing over, resin delight

delightful residual meaning, still night.

ii

I’m a weeping boy and a centaur caving in.

Adventures, find me – I’m hard to come by.

In the days when mirrors were made of burnished silver

I stayed up late,

in the nearly beautiful night I stood not quite

in the shower plenty natural and the water washed into

the time of my skin.

I imagined how to answer the question of whether

psychic malady is a personal affair. Then I wrung

my hair and dye came out.

If I had the money to dip in being a boy,

if I was Anna O., & fallen into autism or

steeped in prelingual glimpses of Lena’s face,

I’d be living system: looped in my own elements.

A system closing talking only to itself.

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Produktdetaljer

ISBN
9781844718092
Publisert
2010
Utgiver
Salt Publishing; Salt Publishing
Høyde
198 mm
Bredde
129 mm
Dybde
4 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
52

Forfatter

Om bidragsyterne

Amy De’Ath was born in Suffolk in 1985. She studied at the University of East Anglia and in Philadelphia, US, before moving to Australia and then to London. Her poems have appeared in a wide variety of journals in the UK and US and will feature in the Salt Younger Poets 2011 anthology. She currently lives and works in London. This is her first book of poems.