Erec & Enide is a bold and unashamedly intimate work that delights in the theatrical, communicative powers of language, and by turns gives way to a quiet sadness. Writing out of contemporary feminist revisions of lyric and epic forms, the poems set up an overtly feminised display which the reader then re-enacts to find meanings which do not ally and a feminism which does not conform to conventional modes of uplift.
Taking its title from Chretien De Troyes’ twelfth-century Arthurian romance, Erec & Enide draws on Jack Spicer’s The Holy Grail, the pastoral romanticism of John Clare, the feminist projects of Lisa Robertson and the essays of Kathy Acker as it moves through a vibrant, rich and playful mix of underhand lyric. These modern love poems wear their ideologically saturated state on their sleeve, and are all the more loving for that.
Taking its title from Chretien De Troyes’ twelfth-century Arthurian romance, Erec & Enide moves through a vibrant, rich and playful mix of underhand lyric. A deceptive and light-footed vulnerability unexpectedly folds in on itself to throw up the most serious questions; then resolutely refuses to ‘make sense’ of things.
- Poetry for Boys
- Dreamboat
- Erec & Enide
- Three in a Boat
- 593
- Sonnet
- A Note on Clarity
- David
- Five Exits
- Since We’ve Lived Here
- One Two
- Lisa Jarnot’s Rabbit
- Letter to John Clare
- Lena at the Beach
- Soliloquy for Living People
- Jaguar
- Notes
It is the world’s wild glare that provides the complex heart of Erec & Enide. With wisdom, uncommon wit, and precision, Amy De’Ath’s spirited first book unsettles all things to reveal that neither a language nor a body is a closed system. De’Ath’s is an inclusive imagination that meets the world with lyric intensity and irony – her poems invite us to feel: “stranger, it’s a hunger I’m looking for.”
Poetry for Boys
That the Joy will soon come and make you suffer!
i
Lay low in the words of the wood,
very subtle, not immune,
lay down in the snow and incline,
you are rest enough and dowry,
in the lay and the spook of an age,
very poor, still glamour,
still further than you think even
more, from the day duly swallow,
to the real green day in the dream,
very full, cracking bough,
the undoing publicity of meaning
all the whole black sky is feeling
the screwing over, resin delight
delightful residual meaning, still night.
ii
I’m a weeping boy and a centaur caving in.
Adventures, find me – I’m hard to come by.
In the days when mirrors were made of burnished silver
I stayed up late,
in the nearly beautiful night I stood not quite
in the shower plenty natural and the water washed into
the time of my skin.
I imagined how to answer the question of whether
psychic malady is a personal affair. Then I wrung
my hair and dye came out.
If I had the money to dip in being a boy,
if I was Anna O., & fallen into autism or
steeped in prelingual glimpses of Lena’s face,
I’d be living system: looped in my own elements.
A system closing talking only to itself.