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Hannah Lowe was born in Ilford to an English mother and Jamaican-Chinese father. She has lived in London, Brighton and Santa Cruz, California. She studied American Literature at the University of Sussex and has a Masters degree in Refugee Studies. She has worked as a teacher of literature and creative writing, recently completed her work on a PhD, and is now a lecturer in Creative Writing at Kingston University. Her pamphlet The Hitcher (The Rialto, 2011) was widely praised. Her first book-length collection Chick (Bloodaxe Books, 2013) won the 2015 Michael Murphy Memorial Prize, was shortlisted for the Forward Prize for Best First Collection, the Fenton Aldeburgh First Collection Prize and the Seamus Heaney Centre Prize for Poetry, and was selected for the Poetry Book Society’s Next Generation Poets 2014 promotion. This was followed by two pamphlets, R x (sine wave peak, 2013) and Ormonde (Hercules Editions, 2014), and her family memoir Long Time No See (Periscope, 2015). She also read from Long Time, No See on BBC Radio 4's Book of the Week in 2015. Her second full-length collection, Chan, was published by Bloodaxe in 2016. She is the current poet in residence at Keats House and a commissioned writer on the Colonial Countryside Project with the University of Leicester and Peepal Tree Press.'Chick opens with a powerful sequence of poems centred around the poet's memories of her Chinese/black Jamaican father - a complex, larger than life character who came to London in the late 40s and eked out a living as, among other things, a gambler. But the book is very much more than a personal reminiscence and family history. This is a collection cross-hatched with myth and history, a hymn to London as much as to its characters. Though all the poems have a strong, vividly cinematographic line, they are also beautifully lyrical - sung stories, offering us the glimpsed lives of strangers and lovers. But however poignant and moving it may be, the collection remains doggedly celebratory of life itself, of people and place, loved and remembered. Each poem takes us a little further into the mystery of lives in a world that is as incomprehensible as it is unforgettable. This is an outstanding, unputdownable first collection' - John Glenday. 'Here is a poet with a commanding style; her voice is entirely her own, both rich and laconic. These are poems springing from the page with vitality, rue and insight. Her elegies are restrained and devastating. An extraordinary debut' - Penelope Shuttle.