James Byrne's second collection is both consolidation and innovation. His poems have the liberating strangeness of a true original alongside the essential recognitions we perceive only in the realm of active and serious poetics. These are exhilarating passionate crafted and intellectually-rich poems which inhabit and interpret the paradoxes of experience and imagination with masterly insight, wit and metaphoric agility. This poet operates without a safety net, walking the tightrope of language between heart and mind, understanding, with Gaston Bachelard, that 'the imagination is a form of human boldness' - Penelope Shuttle. 'James Byrne is a phenomenon and "Blood / Sugar" is astonishing. Here is a unique mytho-poetic in which the self moves in and out of focus. This is smart poetry. But one should not for a moment think that the intellectual rigour diminishes the vitality of the work. It does not. It sparkles with wit and irony. It is alive. Byrne already maintains great technical proficiency in his structuring of verse, and can move between 'traditional' and 'innovative' modes with ease. He has the tools in the toolbox, so to speak. With razor-sharp wit, an acute intellect and a superb facility with language, these poems are both culturally and intellectually 'learned', but also rhetorically and lyrically confident. Byrne is a complete original' - John Kinsella.
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Includes poems which inhabit and interpret the paradoxes of experience and imagination with insight, wit and metaphoric agility.
Recovery, Apprentice Work, Air Terminals, Days of 1973, Sestina for R, A Private Garden, Widowed / Unwidowed, Two Phonecalls at 4 am, From the Sky Parlour, Dowry for an Aerophobic, Speed Date, Serapis from a Postcard, The Buddhas of Bamiyan, A King's Faith, Chess in Kirkuk, Nightnurse, Sanchez de Aldama, 14th April 1930, (Reverb) At the Scene of 'The Earthenware Head', Prospecting Several Instances of Active Imagination, Four Interpretations of Photographs by Claude Cahun, Five Interpretations of Overpainted Photographs by Gerhard Richter, Avoiding a Close Reading of Geoffrey Hill's Mercian Hymns, Three Presumptions Whilst in the Neighbourhood of a Friend, Voice Portraits of Uncle Patrick at the Reunion House, Not the Arm Wrestle, The Angel vs. Gabriel, Inclub Satires, Doctor One-Eye, Inviting the Ghosts, Thieves' Society, To-tock-a-noo-lah, On Not Reaching a Summit, A Room in the House of Aries, Dragon Tree, Incest, Jackanoria, Entry (Cornwall 1991), A Local Marriage, The Ashes, The Minister's Daughter, What Remains of Old Addresses, Testimony. Notes, Biographical Note.
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Produktdetaljer

ISBN
9781906570293
Publisert
2009-12-01
Utgiver
Arc Publications; Arc Publications
Høyde
216 mm
Bredde
138 mm
Dybde
13 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
112

Forfatter

Om bidragsyterne

James Byrne is the Editor and co-founder of The Wolf poetry magazine (www.wolfmagazine.co.uk). His debut collection, Passages of Time, was published by Flipped Eye in 2003. Blood / Sugar,is his second collection. He is the co-editor of Voice Recognition: 21 Poets for the 21st Century, an anthology of British and Irish poets under 35, to be published by Bloodaxe in 2009, and the Collected Poems of Hope Mirrlees, forthcoming from Carcanet in 2010. He helped to organize the 'World Poets' Tour' for the Poetry Translation Centre at SOAS, London, in 2004 and has translated the Yemeni national anthem. In 2008 he won the Treci Trg poetry prize in Serbia. As a result his Selected Poems is to be published (in a bilingual edition) in Belgrade in 2009. Since 2006 James has taught regular Wolf Workshops, which have helped many students with first book and pamphlet publications. He was born in 1977 and lives in London.