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Kayo Chingonyi was born in Zambia in 1987, and moved to the UK at the age of six. He is the author of two pamphlets, and a fellow of the Complete Works programme for diversity and quality in British Poetry. In 2012, he was awarded a Geoffrey Dearmer Prize, and was Associate Poet at the Institute of Contemporary Arts (ICA) in 2015. His first full-length collection, Kumukanda, won the Dylan Thomas Prize and a Somerset Maugham Award and was shortlisted for the Costa Poetry Prize. It was also shortlisted for the Seamus Heaney Centre First Poetry Collection Prize, the Ted Hughes Award for New Work in Poetry, the Roehampton Poetry Prize and the Jhalak Prize. Kayo was a Burgess Fellow at the Centre for New Writing, University of Manchester, and an Associate Poet at The Institute of Contemporary Arts, London. He has performed his work at festivals and events around the world, is Poetry Editor for The White Review, and an Assistant Professor of Creative Writing at Durham University.<b>Chingonyi's poetic voice finds its full-throated maturity... Deep introspection becomes the vulnerable and brave heart of the book, rendered into jewel-like poems in "Origin Myth"... An elegantly spare, cathartic and poignant but never indulgent collection that invites repeated reading</b>
- Dzifa Benson, Telegraph
<b><i>A Blood Condition</i> is a thing of beauty. It's a pleasure to read such a sure and strident second outing from one of our most celebrated young poets</b>
- Diana Evans, Guardian, *Summer Reads of 2021*
<b>I was changed by Kayo Chingonyi's recent volume of poems, <i>A Blood Condition</i>. The musicality and the hard reason is just so fresh, you feel altered by it</b>
- Andrew O'Hagan, New Statesman
<i><b>A Blood Condition</b></i><b> has a dignity that honours the past</b> without indulging in any overflow of personal feeling. Dignity is an interesting quality in a writer - it cannot be faked without presenting as pomposity. <b>Chingonyi's authentic, reined-in passions are stirring</b>... Chingonyi's poems grow out of gaps, out of the moments when nothing more can be done. The dead cannot be recovered, time cannot be reclaimed, the damage to the river is likely to be permanent, but <b>a poem can be written and take its quietly powerful stand</b>
- Kate Kellaway, Observer
<b>A deep thread of loss runs through these poems, and an attempt to reintegrate a past that spans Zambia, Newcastle and London... These fine poems weigh their sorrows carefully, reminding us how best we might "carry a well of myth / in the pit of our pith"</b>
- Aingeal Clare, Guardian
There is <b>thrilling formal accomplishment</b> on display in these poems... <b>poignant and moving</b>... there are brilliant evocations of the north of England
- Andrew McMillan, Poetry Book Society
Chingonyi seems to have hit upon the telling image, the poem-as-snapshot, as a means of making his writing at once more exposed and more sharply defined... This new version of Chingonyi's voice, whittled down to its essentials and built on the seen, is behind almost all the best poems here... <i>A Blood Condition</i>...[is] a significant development in his work
- Declan Ryan, Times Literary Supplement
Kayo Chingonyi's second book, <i>A Blood Condition</i>, is one of the most arresting and beautiful set of poems of this or any year. His ability to blend music, grief and yearning is unmatched
- Rishi Dastidar, Guardian