Clare Pollard has so much youthful talent that it’s alarming. The poems in Bedtime have all the virtues of youth. They are raw and sexy, exotic and compelling, their insights at once intimate and universal. There’s a cruel precision of observation too, coupled with a real opulence, about these pieces – and the wonderful, reckless revelling in the language. I loved the headlong rush of it all.

- Catherine Czerkawska, Mslexia

This is work you can’t ignore – raw, reckless and more bloody-minded than an older, so-called wiser poet would dare to be. Clare Pollard tells us what it’s like to be young, slim and pissed at the door of the 21st century.

- Selima Hill,

Clare Pollard wrote her first book The Heavy-Petting Zoo while still at school. Its sequel is Bedtime: a setting for intimacy and tenderness as well as cruelty and pretence, where reality and fantasy are blurred. These are cutting poems from the edge, confronting evil in all its manifestations, especially the bondage of sex and cruelty. They address highly contemporary issues, from confessionalism and reality TV to masculinity in crisis, racial politics and atheism.
Les mer
Clare Pollard's second colleciton includes poems from the edge, confronting evil in its manifestations, especially the bondage of sex and cruelty. They address contemporary issues form confessionalism and reality TV to masculinity in crisis, racial politics, and atheism.
Les mer

Produktdetaljer

ISBN
9781852245931
Publisert
2002-04-25
Utgiver
Bloodaxe Books Ltd; Bloodaxe Books Ltd
Høyde
216 mm
Bredde
138 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
64

Forfatter

Om bidragsyterne

Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid's Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premièred at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and translator (with Maxamed Xasan ‘Alto’ and Said Jama Hussein) of Asha Lul Mohamud Yusuf's The Sea-Migrations (Somali title: Tahriib), published by Bloodaxe Books in 2017 with The Poetry Translation Centre. In 2017 she took over the editorship of Modern Poetry in Translation. Her non-fiction book Fierce Bad Rabbits: The Tales Behind our Picture Books was published by Fig Tree in 2019.