Michael Longley is a lyric poet with perfect pitch. His formal elegance seems effortless... <b>A master in an old, great tradition</b>

Times

<b>A keeper of the artistic estate, a custodian of griefs and wonders</b>

- Seamus Heaney, author of Death of a Naturalist,

<b>His poems rest on the page like driftwood, seasoned and made beautiful by an ocean of experience</b>

- Helen Dunmore, author of Ingo,

Se alle

<b>One of the most perfect poets alive.</b> There is something in his work both ancient and modern. I read him as I might check the sky for stars

- Sebastian Barry, author of Old God's Time,

<b>Michael Longley’s poems have matched a sense of history and the brutal present </b>with a recurrent feeling for the lyrical moment and the fragility of experience

- James Fenton, author of Yellow Tulips,

<b>Michael Longley is a great poet whose work will endure while the English language does</b>

- Donald Hall, author of Ox-Cart Man,

<b>Longley has all the necessary gifts</b> – precision, the celebrant’s tongue, and that touch of mystery that sets certain poets apart

- George Mackay Brown, author of Magnus,

This new selection of his [Longley’s] poetry, drawing on his 13 published collections, shows his range and power. He is <b>one of the great poets of landscape,</b> as well as a powerful, pained commentator on Northern Ireland’s troubled history

Herald

With <i>Ash Keys</i> we gain access to the past and relive its colour…<i> </i><b>Now, more than ever, Longley’s work deserves to be widely read and treasured</b>

Sunday Times

Michael Longley’s latest lines are just <b>as restless and as promising </b>as his first

Times Literary Supplement

A collection of Michael Longley's greatest poems, spanning an extraordinary career of sixty years as one of the Belfast triumverate, alongside Seamus Heaney and Derek Mahon

'One of the world's greats' IRISH NEWS

'A keeper of the artistic estate, a custodian of griefs and wonders' SEAMUS HEANEY

The title of Michael Longley’s New Selected Poems is taken from his poem ‘Ash Keys’. The wing-shaped, wind-borne seeds of the ash-tree might be an image for poems in search of their readers. This selection, based on thirteen individual collections, represents Longley’s unusual range as a lyric poet.

It shows how his themes, genres and forms have evolved and interlaced since the 1960s. Love, violence, the natural world, art, psychodrama, family, the Great War, the Homeric past and Northern Ireland’s troubled present cohabit in these pages – as do depth, wit and beauty.

'His work is of the level that would be befitting of a Novel Prize for Literature' MICHAEL D HIGGINS

'Michael Longley’s latest lines are just as restless and as promising as his first' Times Literary Supplement

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Produktdetaljer

ISBN
9781787334854
Publisert
2025-07-24
Utgiver
Vintage Publishing; Jonathan Cape
Vekt
200 gr
Høyde
197 mm
Bredde
129 mm
Dybde
15 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Forfatter
Innledning av

Om bidragsyterne

Michael Longley (Author)
Michael Longley’s thirteen collections have received many awards, among them the Whitbread Prize, the T.S. Eliot Prize, the Hawthornden Prize, the Irish Times Poetry Prize and the Griffin International Prize. His Collected Poems was published in 2006, and Sidelines: Selected Prose in 2017. In 2001 he received the Queen’s Gold Medal for Poetry, and in 2003 the Wilfred Owen Award. He was appointed CBE in 2010, and from 2007 to 2010 was Ireland Professor of Poetry. In 2017 he received the PEN Pinter Prize, and in 2018 the inaugural Yakamochi Medal.

In 2015 he was made a Freeman of the City of Belfast, where he lived and worked with his wife, the critic Edna Longley, until his death in 2025. For his lifetime achievement in poetry he was awarded the 2022 Feltrinelli Poetry Prize, and in 2024 the International Roma Prize.

Paul Muldoon (Foreword By)
Paul Muldoon is the Pulitzer Prize-winning author of fourteen full-length collections of poetry, including Howdie-Skelp.