'A satire played with devastating energy in a brilliantly witty staging.' The Guardian 'The most politically potent show ever staged in South Africa.' The Observer

Woza Albert! is based on one dazzlingly simple idea - that the Second Coming of Jesus Christ should take place in present-day South Africa. This brilliant two-man show from the Market Theatre, Johannesburg, took the Edinburgh Festival then London by storm in September 1982, playing to standing ovations every night. It was also seen in Berlin, Los Angeles, San Francisco, Seattle, Philadelphia and twice on BBC TV. This edition contains a new introduction by Yvette Hutchison
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The classic satire about what would happen if the Second Coming of Christ occurred in South Africa
'A satire played with devastating energy in a brilliantly witty staging.' The Guardian 'The most politically potent show ever staged in South Africa.' The Observer
This edition contains a new introduction by Yvette Hutchison 'A satire played with devastating energy in a brilliantly witty staging.' Guardian 'The most politically potent show ever staged in South Africa.' Observer
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This edition contains a new introduction by Yvette Hutchison
Methuen Drama’s Modern Classics series showcases landmark plays from around the world. Drawing on the Modern Plays series, which launched in 1959, Modern Classics celebrates plays from the contemporary repertoire by world-leading dramatists and presents their work in a definitive edition, alongside new introductions by leading scholars and industry professionals. With writers such as Pulitzer Prize-winners Jackie Sibblies Drury, Ayad Akhtar and David Mamet through to Lucy Prebble, Katori Hall and Caryl Churchill, Modern Classics are ideal for students and anyone wanting to deepen their knowledge of the plays that form part of the modern dramatic canon.
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Produktdetaljer

ISBN
9780413530004
Publisert
1983-08-11
Utgiver
Vendor
Methuen Drama
Vekt
75 gr
Høyde
198 mm
Bredde
129 mm
Dybde
5 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Om bidragsyterne

Percy Mtwa was born and bred in Wattville, Benoni. In 1979 director Gibson Kente gave him a role as singer/dancer in Mama and the Load, which played at the Market and Baxter Theatres and toured South Africa. Mbongeni Ngema was born in Umkumbane, Durban. He wrote and presented a play, Too Harsh, appeared in Kessie Govender's Working Class Hero, then wrote and, with Kessie's help, directed The Last Generation. In 1979 he came to Johannesburg and approached Gibson Kente for work, finally getting a character role in Mama and the Load, where he met Percy Mtwa. Barney Simon, founding Artistic Director of the Market Theatre, was born in Johannesburg. After backstaging for Joan Littlewood in the late 1950s, he joined Athol Fugard in Johannesburg's Dorkay House Rehearsal Room where The Blood Knot was first staged. He directed Fugard in Krapp's Last Tape and the first production of Fugard's own Hello and Goodbye. In 1974 he founded the Company with Mannie Manim, which made its home in Johannesburg's old Market in 1976. He was the three-time winner of the Breytenbach Epathlon for best director. Barney Simon died in 1995.