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Lucy Kirkwood is a British playwright and screenwriter whose plays include: The Human Body (Donmar Warehouse, London, 2024); Rapture (promoted as That Is Not Who I Am, Royal Court Theatre, London, 2022); The Welkin (National Theatre, London 2020); Mosquitoes (National Theatre, 2017); The Children (Royal Court Theatre, 2016); Chimerica (Almeida Theatre & West End, 2013; winner of the 2014 Olivier Award for Best New Play, the 2013 Evening Standard Best Play Award, the 2014 Critics’ Circle Best New Play Award, and the Susan Smith Blackburn Award); NSFW (Royal Court, 2012); small hours (co-written with Ed Hime; Hampstead Theatre, 2011); Beauty and the Beast (with Katie Mitchell; National Theatre, 2010); Bloody Wimmin, as part of Women, Power and Politics (Tricycle Theatre, 2010); it felt empty when the heart went at first but it is alright now (Clean Break & Arcola Theatre, 2009; winner of the 2012 John Whiting Award); Hedda (Gate Theatre, London, 2008); and Tinderbox (Bush Theatre, 2008). She won the inaugural Berwin Lee UK Playwrights Award in 2013.<p>'Lovely, bawdy, deliciously off-colour... like a madcap mixture of Joe Orton, Ben Jonson, Martin McDonagh and Stephen Sondheim'</p>
Whatsonstage.com
<p>'Grisly... rings with nasty, maniacal laughter... off-kilter imaginative flair'</p>
The Times
Fast, wild and farcically funny, Lucy Kirkwood's first full-length play is a disturbing vision of a dystopian future.
Sometime in the 21st century, England is dissolving into the sea. Amidst the chaos, one man clings to his traditional British values and his love of meat.
For Londoner Saul Everard, his butchers shop is an empire that he will do anything to preserve, including moving it to Bradford. An outlaw Scottish artist swims Hadrian's Channel from Scotland to England and seeks refuge in Saul's shop. There's rioting on the streets and the police are onto him but Saul's meaty little realm may be the last place to seek sanctuary.
Lucy Kirkwood's play Tinderbox was premiered at the Bush Theatre, London, in 2008.
A fast, wild and farcically funny play with a disturbing vision of a dystopian future.