Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world’s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre’s most prolific dramatists.
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1. Theatre in Crisis – Introduction by Edward Bond2. Introduction - by Dom O'Hanlon3. Mojisola Adebayo – The Interrogation of Sandra Bland4. Gurpreet Kaur Bhatti – A Kind of People5. Sudha Bhuchar – Child of the Divide6. Zoe Cooper – Jess and Joe Forever7. Frances Ya-Chu Cowhig – The King of Hell’s Palace8. Tim Crouch – Adler & Gibb9. Inua Ellams – Barber Shop Chronicles10. James Graham – A History of Falling Things11. Tanika Gupta – Lions and Tigers12. Hannah Khalil – A Museum in Baghdad13. Morgan Lloyd Malcolm – Emilia14. Alistair McDowall – X15. Vinay Patel – An Adventure16. Lucy Prebble – The Effect17. Philip Ridley – The Pitchfork Disney18. Christopher Shinn – Where Do We Live19. Simon Stephens – Motortown20. Chris Thorpe – Manchester from The Mysteries21. Laura Wade – The Watsons22. Anne Washburn – The Internationalist
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Timely, even without COVID ... The overviews and interviews give the reader enough information to appreciate the scenes out of context … Just the book to dip into to view the multifaceted nature of crisis and how it has been portrayed on our stages.
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A collection of 20 scenes from 20 international playwrights spanning the Methuen Drama and Oberon Books backlist that respond to the world in crisis.
Features 20 scenes by some of the world’s most prolific playwrights, drawing on the impressive backlist of Methuen Drama and Oberon Books. Useful for academic study, it also offers scene-study material for actors, performers and teachers
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Methuen Drama's Play Collections series brings together anthologies of plays from around the world in a range of different forms and styles. From plays that centre on the work of individual authors, practitioners and companies through to thematic collections suitable for university study, these volumes provide a diverse and exciting variety of plays in edited collections that reflect the very best of contemporary and classic drama.
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Produktdetaljer
ISBN
9781350188785
Publisert
2020-10-29
Utgiver
Vendor
Methuen Drama
Vekt
292 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
296
Forfatter
Redaktør
Om bidragsyterne
Edward Bond is widely regarded as the UK's greatest and most influential playwright. His plays include The Pope's Wedding (Royal Court Theatre, 1962), Saved (Royal Court, 1965), Early Morning (Royal Court, 1968), Lear (Royal Court, 1971), The Sea (Royal Court, 1973), The Fool (Royal Court, 1975), The Woman (National Theatre, 1978), Restoration (Royal Court, 1981) and The War Plays (RSC at the Barbican Pit, 1985).
Dom O'Hanlon is the Senior Commissioning Editor of Plays at Methuen Drama.