Ben Higgins's Shakespeare's Syndicate is a hugely impressive study of the bookish world around the First Folio. Conceived as an extensive close reading of the book's title page, it takes the reader on a thrilling tour of the book trade that published, printed, marketed, and sold this most influential of volumes. Devoting a chapter each to Edward Blount, John Smethwick, William Aspley, and William and Isaac Jaggard, Higgins makes the case for these figures as 'merchants of belief', vital to the formation of the book's value, and the 'creation of [its] literariness'.

Shakespeare's Globe Book Award Judges

This is an important book for academic libraries to purchase, as it provides a deeper dive into the stated primary sources than most of the other books I have reviewed on this topic.

Anna Faktorovich, editor-in-chief, Pennsylvania literary Journal

Ben Higgins has managed something we might have thought was by now impossible: he tells a completely fresh and fascinating story about the First Folio. Higgins's remarkable knack for uncovering new archival details gives us the deepest scholarly investigation yet undertaken into the lives of the men and women who produced Shakespeare's collected works. At the same time, Higgins uses each of the Folio publishers as a lens to reveal broader trends and networks in the book trade, offering an exciting and generative methodology for others to follow. Shakespeare's Syndicate is required reading for anyone interested in Shakespeare, his plays, and his life and afterlife in print.

Zachary Lesser, Edward W. Kane Professor of English, University of Pennsylvania

Se alle

More careful, coherent, and convincing by far is Ben Higgins's excellent Shakespeare's Syndicate: The First Folio, Its Publishers, and the Early Modern Book Trade

Catherine Nicholson, New York Review

Indispensable for future scholarship [...] Shakespeare's Syndicate is a major study of the First Folio that is required reading for all those interested in the early modern book trade and the individuals who helped preserve in print so many of Shakespeare's plays.

Rory Loughnane, The Review of English Studies

This is an extraordinarily detailed account of the agents behind the First Folio [...] Higgins offers nearly three hundred pages of fresh information and context based on extensive archival research. The book is punctuated by revelations throughout [...] Higgins has a special talent for making brilliant observations and offering keen insight into their import.

Eric Rasmussen, Shakespeare Jahrbuch

Through small moments in the Folio, Higgins bends time away from the history and death of Shakespeare, to the lives and labor of the stationers, who ushered the completed books to buyers and readers who could grapple with Shakespeare's membership in the growing pantheon of English writers that Jonson identifies [...] By reorienting the Folio in time, Higgins asks new sets of questions of it, seeking to articulate the roles-both large and small-of the stationers who ensured that the volume reached readers' bookshelves.

Brandi K Adams, Shakespeare Quarterly

In 1623 a team of stationers published what has become the most famous volume in English literary history: William Shakespeare's First Folio. Who were these publishers and how might their stories be bound up with those found within the book they created? Ben Higgins offers a radical new account of the First Folio by focusing on these four publishing businesses that made the volume. By moving between close scrutiny of the Folio publishers and a wider view of their significance within the early modern book trade, Higgins uses Shakespeare's stationers to explore the 'literariness' of the Folio; to ask how stationers have shaped textual authority; to argue for the interpretive potential of the 'minor' Shakespearean bookseller; and to examine the topography of Shakespearean publication. Drawing on a host of fresh primary evidence from a wide range of sources, including court records, manuscript letters, bookseller's bills, and the literature itself, Shakespeare's Syndicate illuminates our understanding of how this landmark volume was made and what it has meant to scholars since. Moreover, it models exciting new ways of working with stationers and of reading the event of early modern publication itself. This innovative study demonstrates that despite four hundred years of history, the volume at the centre of Shakespeare's canon continues to generate new stories.
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In 1623 a team of stationers published what has become the most famous volume in English literary history: William Shakespeare's First Folio. Drawing on a host of fresh primary evidence from a wide range of sources, Shakespeare's Syndicate illuminates our understanding of how this landmark volume was made and what it has meant to scholars since.
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List of Figures List of Tables List of Abbreviations Note on Transcription and Citation Conventions Introduction Part 1: 'Printed by Isaac Jaggard, and Ed. Blount. 1623.' 1: 'Master William Shakesperes workes': Edward Blount at the Black Bear 2: 'Prudentia': The Jaggard Publishing House Part 2: 'J. Smithweeke, and W. Aspley, 1623.' 3: A Minor Shakespearean: William Aspley at the Parrot 4: 'Under the Diall': John Smethwick at St Dunstan's Churchyard Epilogue Appendix 1: The letters of Edward Blount Appendix 2: The publications of William and Isaac Jaggard Appendix 3: The wholesale locations of Shakespeare's books, 1593-1640 Bibliography Index
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Ben Higgins read English at the University of Exeter before going to the University of Oxford for postgraduate work. He has held lectureships at Wadham College, Lincoln College, and Corpus Christi College, Oxford. He is currently Career Development Fellow in English Literature at Lady Margaret Hall.
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Offers new narratives about the publication of William Shakespeare's First Folio based on the involvement of those who made the book Packed with a wealth of fresh primary evidence including court records, manuscript letters, bookseller's bills, copy-specific annotations, and the literature itself Models new methods of working with early modern stationers by breaking free from the isolated case study and pursuing the larger stories that can be told by connecting book trade figures Revises current theories about the early reception of the First Folio and the role this book has played in organising our understanding of Shakespearean textual authority Showcases a compelling combination of bibliographic rigour and interpretive creativity
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Produktdetaljer

ISBN
9780192848840
Publisert
2022
Utgiver
Oxford University Press; Oxford University Press
Vekt
686 gr
Høyde
240 mm
Bredde
164 mm
Dybde
24 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
310

Forfatter

Om bidragsyterne

Ben Higgins read English at the University of Exeter before going to the University of Oxford for postgraduate work. He has held lectureships at Wadham College, Lincoln College, and Corpus Christi College, Oxford. He is currently Career Development Fellow in English Literature at Lady Margaret Hall.