<p>'An enthralling piece of theater that tells a fascinating story in a daringly original way… Riveting'</p>

Wall Street Journal

<p>'Clear, uncluttered, and hard-hitting… A play of rare beauty, rare understanding, and great moral power'</p>

Hartford Courant

<p>'Haunting and powerful... a play that jolts us awake'</p>

The Times

<p>'A wide-reaching and damning indictment of the ivory trade... Nottage's story encapsulates the complex struggles of conservation and the deep-rooted tentacles of corruption'</p>

Guardian

<p>'A brutal, beautiful experience... magical and deeply moving'</p>

Evening Standard

<p>'A brutal, devastating drama... simple but remarkable'</p>

Telegraph

<p>'A simple, powerful tale about the rape of Africa...exquisite and moving'</p>

Arts Desk

<p>'Punchy... a simple story... one of grace, care and properly deep sadness... Nottage's strength as a writer is that Mlima's silent presence is enough to make you enraged. No words are wasted here – she doesn't need them to be'</p>

Time Out

<p>'Thought-provoking and haunting... the genius of Nottage's script is that it compactly illustrates – without polemical oversimplification nor overcomplication – how competing urges for status, art, power, love, family and survival interconnect to form haunting tragedy again and again across ancient trade routes and alliances... an emotionally and sensorially immersive experience'</p>

LondonTheatre1

<p>'Hypnotic... mesmerises from beginning to end'</p>

Theatre Weekly

<p>'Powerful and urgent, with a brutal, poetic and eye-opening script'</p>

Broadway World