'A light-on-its-feet, elliptical view of apocalypse… this is fantasy intricately wired into current politics. It is intimate and vast. Domestic and wild'

Observer

'Packs a formidable charge: Churchill has now perfected an elliptical style as individual and as powerful as that of Samuel Beckett… created and conveyed with mastery'

Financial Times

'A menacing, joyous, brilliant return... it's hard to imagine you'll come across a more brilliant play this year'

Time Out

Se alle

'A magnificent show which demands repeated viewing to reveal its full richness'

The Arts Desk

'Packs an amazing amount into a modest frame… this is Churchill at her best'

Guardian

“I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before.” Three old friends and a neighbour. A summer of afternoons in the back yard. Tea and catastrophe. Caryl Churchill's play Escaped Alone premiered at the Royal Court Theatre, London, in 2016, in a production directed by James Macdonald. It was named Best Play at the 2017 Writers' Guild Awards.
Les mer
A play about three old friends and a neighbour having tea in the back yard, and contemplating catastrophe.
'I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before.'

Produktdetaljer

ISBN
9781848425491
Publisert
2016
Utgiver
Vendor
Nick Hern Books
Høyde
198 mm
Bredde
129 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
64

Forfatter

Om bidragsyterne

Caryl Churchill has written for the stage, television and radio. Her stage plays include Owners (Royal Court Theatre Upstairs, 1972); Objections to Sex and Violence (Royal Court, 1975); Light Shining in Buckinghamshire (Joint Stock on tour incl. Theatre Upstairs, 1976); Vinegar Tom (Monstrous Regiment on tour, incl. Half Moon and ICA, 1976); Traps (Theatre Upstairs , 1977); Cloud Nine (Joint Stock on tour incl. Royal Court, London, 1979, then Theatre de Lys, New York, 1981); Three More Sleepless Nights (Soho Poly and Theatre Upstairs, 1980); Top Girls (Royal Court London, then Public Theater, New York, 1982); Fen (Joint Stock on tour, incl. Almeida and Royal Court, London, then Public Theatre, New York, 1983); Softcops (RSC at the Pit, 1984); A Mouthful of Birds with David Lan (Joint Stock on tour, incl. Royal Court, 1986); Serious Money (Royal Court and Wyndham’s, London, then Public Theater, New York, 1987); Icecream (Royal Court, 1989); Mad Forest (Central School of Speech and Drama, then Royal Court, 1990); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride on tour, incl. Riverside Studios, London, 1991); The Skriker (Royal National Theatre, 1994); Thyestes translated from Seneca (Royal Court Theatre Upstairs, 1994); Hotel with Orlando Gough and Ian Spink (Second Stride on tour, incl. The Place, London, 1997); This is a Chair (London International Festival of Theatre at the Royal Court, 1997); Blue Heart (Joint Stock on tour, incl. Royal Court Theatre, 1997); Far Away (Royal Court Theatre Upstairs, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002); A Number (Royal Court Theatre Downstairs, 2002, then New York Theatre Workshop, 2004); A Dream Play after Strindberg (Royal National Theatre, 2005); Drunk Enough to Say I Love You? (Royal Court Theatre Upstairs, 2006, then Public Theater, New York, 2008); Bliss, translated from Olivier Choinière (Royal Court Theatre, 2008); Seven Jewish Children – a play for Gaza (Royal Court Theatre, 2009); Love and Information (Royal Court Theatre Downstairs, 2012); Ding Dong the Wicked (Royal Court Theatre Downstairs, 2012); Here We Go (National Theatre, 2015) and Escaped Alone (Royal Court Theatre Downstairs, 2016).