1905. Russia is at a turning point. Zakhar Bardin is from the landowning class, but is now the uneasy owner of a factory. His managing director is determined to face down militant workers on a point of principle. But the shutting of the business has tragic consequences for everyone concerned.Gorky's extraordinary play, which was written in exile and banned in his home country, presents a panoramic view of a restless society, with a bourgeoisie no longer sure of its own values, and a working class steadily facing up to the terrifying sacrifices ahead. Described by Ronald Bryden in the Observer in 1971 as 'a real discovery . . . the missing link between Chekhov and the Russian revolution', Enemies has a dramatic breadth, humour and ambition unique to Gorky. Maxim Gorky's Enemies is adapted by David Hare and premiered at the Almeida Theatre, London, in May 2006.
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Presents a panoramic view of a restless society, with a bourgeoisie no longer sure of its own values, and a working class steadily facing up to the terrifying sacrifices ahead. This work is described by Ronald Bryden in the "Observer" in 1971 as 'a real discovery - the missing link between Chekhov and the Russian revolution'.
Les mer

Produktdetaljer

ISBN
9780571232123
Publisert
2006-05-18
Utgiver
Vendor
Faber & Faber
Vekt
126 gr
Høyde
198 mm
Bredde
128 mm
Dybde
9 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
128

Forfatter
Oversetter

Om bidragsyterne

Maxim Gorky was born in 1868, suffered a deprived childhood and spent his early youth as a vagrant, but by the 1890s he was ranked with Tolstoy and Chekhov among Russia's leading writers. For long he was best known in the West as a novelist, notably for The Mother (1907) and for the three volumes of his Autobiography, with only The Lower Depths (1902) established on the stage; but in the last third of the twentieth century his other plays began also to be recognised for their portrayals of the painful pre-revolutionary decades. Besides Philistines (1901), these included Summerfolk (1904), Children of the Sun (1905), Enemies (1906) and Vassa Shelesnova (1910). After some equivocation and years in exile, he finally embraced the Revolution, and died in 1936. David Hare has written over thirty stage plays and thirty screenplays for film and television. The plays include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, Skylight, Amy's View, The Blue Room, Via Dolorosa, Stuff Happens, The Absence of War, The Judas Kiss, The Red Barn, The Moderate Soprano, I'm Not Running and Beat the Devil. For cinema, he has written The Hours, The Reader, Damage, Denial, Wetherby and The White Crow among others, while his television films include Licking Hitler, the Worricker Trilogy, Collateral and Roadkill. In a millennial poll of the greatest plays of the twentieth century, five of the top hundred were his.