Although it was written shortly before or after Queen Elizabeth's death in 1603 and performed by the boy company at Blackfriars, this play foreshadows the light ladies and callous gallants of Restoration comedy. Passion is a scourge, love is humiliation, and friends might as well be enemies. Freevill discards his concubine Franceschina and, for a joke, sets his straight-laced friend Malheureux on to her, who falls for her and promises to carry out her revenge on Freevill by killing him. The play in the theatre, which is fully imagined in the introduction to this edition, impresses on the audience the spuriousness of rigid moral persuasions, especially when they are tried by fits of sexual passion.
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Freevill introduces his friend Malheureux to his mistress Franceschina in order to play a trick on him. But Franceschina finds out that Freevill wants to marry someone else and asks Malheureux to kill him. This is one of a series of classic English plays which have been re-edited.
Les mer
Freevill introduces his friend Malheureux to his mistress Franceschinain order to play a trick on him. But Franceschina finds out thatFreevill wants to marry someone else and asks Malheureux to kill him.This is one of a series of classic English plays which have beenre-edited.
Les mer
New Mermaids is a series of classic plays from the 16th to the 20th century which are presented in modernised English with on the page notes. Teachers present editions of these plays that are perfect for students and encourage creative engagement with the text. Introductions include the latest research and critical interpretations to situate each play within contemporary culture. Editors explore the play’s language and plot through gender, sexuality, race, religion, identity, material culture and performance. New Mermaids are printed in a clear, easy-to-use format, with notes below the text. New editions speak to students, theatre goers and actors who want to engage with classic plays as they are taught and performed across the world today.General EditorsJosé A. Pérez Díez, Lecturer in Early Modern Drama, School of English, University of Leeds, UK.Iman Sheeha, Senior Lecturer in English, Brunel University, UK.Editorial BoardBrandi Adams, Assistant Professor, English Department, Arizona State University, USAFrancis X. Connor, Chair and Associate Professor, Department of English, Wichita State University, USABeth Rebecca Cortese, Assistant Professor, University of Iceland, IcelandAmbereen Dadabhoy, Associate Professor of Literature, Harvey Mudd College, USANandini Das, Professor of Early Modern English Literature and Culture, University of Oxford, UKTracy C. Davis, Barber Professor of Performing Arts, Northwestern University, USABrett Greatley-Hirsch, Professor of Renaissance Literature and Textual Studies, University of Leeds, UKHetta Howes, Senior Lecturer in Medieval and Early Modern Literature, City University, UKHassana Moosa is a Lecturer in English Literature at the University of Cape Town, South AfricaEoin Price, Lecturer in English Literature, 1500-1650, University of Edinburgh, UKEleanor Rycroft, Senior Lecturer, Department of Theatre, University of Bristol, UK
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Produktdetaljer

ISBN
9780713644753
Publisert
1997-09-30
Utgiver
Vendor
Methuen Drama
Vekt
164 gr
Høyde
198 mm
Bredde
126 mm
Aldersnivå
UA, UU, G, 14, 05, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
120

Forfatter
Redaktør

Om bidragsyterne

John Marston (c. 1575-1634) was an English playwright who wrote thirteen plays between 1599 and 1609, his two finest being the tragicomedy The Malcontent (1604) and the comedy The Dutch Courtesan (1605). He is noted for his violent imagery and his preoccupation with mankind's failure to uphold Christian virtues. Other plays include the tragedies Antonio's Revenge and Antonio and Mellida (both 1599) and the comedy What You Will (1601). At the turn of the century Marston became involved in the so-called war of the theatres, a prolonged feud with his rival Ben Jonson. Jonson repeatedly satirized him in such plays as Every Man Out of His Humour (1599) and The Poetaster (1601), while Marston replied in Satiromastix (with Thomas Dekker; 1601). Their squabble ended in time for the two to collaborate with George Chapman on the ill-fated Eastward Ho! (1605), which resulted in all three authors being briefly imprisoned. Marston was later imprisoned for offending James I with his tragedy The Insatiate Countess (1610). After his release he took holy orders and wrote no more plays.