Produktdetaljer
Om bidragsyterne
Ödön von Horváth (1901-1938) was born in Fiume, now Rijeka, near Trieste on 9 December 1901. His father being a diplomat, the family moved from country to country. His plays include Tales From the Vienna Woods, Judgment Day, Faith Hope and Charity and Italian Night. Choosing to stay in Germany and document the rise of National Socialism, his work was violently repressed by the Third Reich, and many of his masterpieces including Don Juan Comes Back From The War were never performed until after his death. In later years, he turned to writing novels, and his popular works A Child of Our Time and Youth Without God are considered modern classics.
Duncan Macmillan is formerly Writer in Residence at Paines Plough and the Royal Exchange, plays include Monster (Royal Exchange/Manchester International Festival, winner of two Bruntwood Awards, nominated for Best New Play in the TMA and MEN Awards), The Most Humane Way To Kill A Lobster (Theatre 503), Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Sleeve Notes (Various), Platform (Old Vic Tunnels), I Wish To Apologise For My Part In The Apocalypse, Family Tree, And So Say All Of Us (all BBC Radio).
***** Five Stars
WhatsOnTheFringe
**** Four Stars
The Public Reviews
Odon von Horvath's startling tale of displacement and isolation in the aftermath of the Great War is presented in a bold new adaptation by award-winning playwright Duncan Macmillan.
Fringe Report
In Duncan MacMillan's new version the writing is gritty, grimy, and powerful, while director Andrea Ferran's production has some mesmerising moments and beautifully acted memorable scenes that liberate a raw sensuality.
Jo Sutherland, The Stage
Duncan Macmillan's adaptation of Odon von Horvath's classic is callously bleak.
One Stop Arts
The von Horvath is long overdue a revival and Duncan Macmillan's version does it proud.
Whats On The Fringe
Don Juan’s back from the War and he’s got some catching up to do. Berlin is crumbling, but after years of abstinence, the Don is ready for more of the debauchery that once made his name. Amidst political and economic upheaval, Don Juan finds himself increasingly at odds with the man he used to be. Is this notorious lothario about to experience a sudden change of heart?
Ödön von Horváth’s startling tale of displacement and isolation in the aftermath of the Great War is presented in a bold new adaptation by award-winning playwright Duncan Macmillan.
Five Stars WhatsOnTheFringe
Four Stars The Public Reviews
'Ödön von Horváth’s startling tale of displacement and isolation in the aftermath of the Great War is presented in a bold new adaptation by award-winning playwright Duncan Macmillan.' Fringe Report
'In Duncan MacMillan's new version the writing is gritty, grimy, and powerful, while director Andrea Ferran's production has some mesmerising moments and beautifully acted memorable scenes that liberate a raw sensuality.' The Stage
'Duncan Macmillan's adaptation of Ödön von Horváth's classic is callously bleak'. One Stop Arts
'The von Horvath is long overdue a revival and Duncan Macmillan’s version does it proud.' Whats On The Fringe
Ödön von Horváth’s startling tale of displacement and isolation in the aftermath war, boldly adapted by Duncan Macmillan.
Produktdetaljer
Om bidragsyterne
Ödön von Horváth (1901-1938) was born in Fiume, now Rijeka, near Trieste on 9 December 1901. His father being a diplomat, the family moved from country to country. His plays include Tales From the Vienna Woods, Judgment Day, Faith Hope and Charity and Italian Night. Choosing to stay in Germany and document the rise of National Socialism, his work was violently repressed by the Third Reich, and many of his masterpieces including Don Juan Comes Back From The War were never performed until after his death. In later years, he turned to writing novels, and his popular works A Child of Our Time and Youth Without God are considered modern classics.
Duncan Macmillan is formerly Writer in Residence at Paines Plough and the Royal Exchange, plays include Monster (Royal Exchange/Manchester International Festival, winner of two Bruntwood Awards, nominated for Best New Play in the TMA and MEN Awards), The Most Humane Way To Kill A Lobster (Theatre 503), Lungs (Paines Plough/Sheffield Crucible and Studio Theatre Washington D.C.), Sleeve Notes (Various), Platform (Old Vic Tunnels), I Wish To Apologise For My Part In The Apocalypse, Family Tree, And So Say All Of Us (all BBC Radio).