"<i>The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera, Volume 1 </i>features a wide range of plays that deftly re-imagine Shakespeare works from Borderlands perspectives. Unique, ground-breaking, exceptional, thought-provoking, and inherently fascinating, <i>The Bard in the Borderlands</i> is a distinctive, ground-breaking, and unreservedly recommended as an addition to personal, professional, community, college, and university library Shakespeare studies collections. Of special appeal and value for readers with an interest in Hispanic American Dramas & Plays."

Midwest Book Review

"Unique, ground-breaking, exceptional, thought-provoking, and inherently fascinating. . . unreservedly recommended as an addition to personal, professional, community, college, and university library Shakespeare studies collections."

Library Bookwatch

This volume features a wide range of plays that reimagine Shakespeare works from Borderlands perspectives.   For several decades, Chicanx and Indigenous theatermakers have been repurposing Shakespeare’s plays to reflect the histories and lived realities of the US–Mexico Borderlands and to create space to tell stories of and for La Frontera. Celebrating this rich tradition, The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera brings a wide range of Borderlands Shakespeare plays together for the first time in a multi-volume open-access scholarly edition.  This anthology celebrates the dynamic, multilingual reworking of canon and place that defines Borderlands Shakespeare, and it situates these geographically and temporally diverse plays within the robust study of Shakespeare’s global afterlives. The editors offer a critical framework for understanding the artistic and political traditions that shape these plays and the place of Shakespeare within the multilayered colonial histories of the region. Borderlands Shakespeare plays, they contend, do not simply reproduce Shakespeare in new contexts but rather use his work in innovative ways to negotiate colonial power and to envision socially just futures.
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General Introduction: Tracing the Traditions of Borderlands Shakespeare, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosIntroduction to Volume I, by Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero SantosPlaytexts and Introductions1. The Language of Flowers by Edit Villarreal2. Kino and Teresa by James Lujan3. The Tragic Corrido of Romeo and Lupe by Seres Jaime Magaña4. Hamlet, El Príncipe de Denmark by Tara Moses5. Ofélio by Joshua Inocéncio6. ¡O Romeo! by Olga Sanchez SaltveitGlossaryBibliography
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Produktdetaljer

ISBN
9780866988391
Publisert
2023-05-16
Utgiver
Vendor
Arizona Center for Medieval & Renaissance Studies,US
Høyde
9 mm
Bredde
6 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
350

Om bidragsyterne

Katherine Gillen is associate professor of English at Texas A&M University–San Antonio. She is the author of Chaste Value: Economic Crisis, Female Chastity, and the Production of Social Difference on Shakespeare’s Stage. Adrianna M. Santos is an assistant professor of English at Texas A&M University–San Antonio where she acts as cocoordinator of the Mexican American, Latinx, and Borderlands Studies interdisciplinary minor. Kathryn Vomero Santos is assistant professor of English and codirector of the Humanities Collective at Trinity University. She currently serves as Performance Reviews Editor for Shakespeare Bulletin.