"Acts of Transgression seeks not to contain the complex worlds of some of South Africas most compelling live artists, but instead pulls us in with urgency and pause, and in so doing makes us alive to the power of the serious, playful, and radical acts of imagination that are both of and beyond this postapartheid apartheid." - Panashe Chigumadzi,author of These Bones Will Rise Again "An essential and important book. Its strength lies in its embeddeness in themany cultures that make up South African society." - RoseLee Goldberg,author of Performance Now: Live Art for the 21st Century and Founding Director of Performa "This landmark publication is an illuminating and indispensable gathering of the most critical voices thinking today about the role of performance in the shaping of the self, identity, agency, community and nation." - Okwui Enwezor,former director of Haus der Kunst, Munich and artistic director of the 56th Venice Biennale

Fifteen writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa, focusing on a wide range of perspectives, personalities and theoretical concerns
Contemporary South African society is chronologically 'post' apartheid, but it continues to grapple with material redress, land redistribution and systemic racism. Acts of Transgression represents the complexity of this moment in the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The contributors, who are all significantly involved in the discipline of performance art, probe its intersection with crisis and socio-political turbulence, shifting notions of identity and belonging, embodied trauma and loss. Narratives of the past and visions for the future are interrogated through memory and the archive, thus destabilising entrenched colonial systems.

Collectively analysing the work of more than 25 contemporary South African artists, including Athi-Patra Ruga, Mohau Modisakeng, Steven Cohen, Dean Hutton, Mikhael Subotzsky, Tracey Rose and Donna Kukama, among others, the analysis is accompanied by a visual record of more than 50 photographs. For those working in the fields of theatre, performance studies and art, this is a must-have collection of critical essays on a burgeoning and exciting field of contemporary South African research.

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Performance art is transgressive and interdisciplinary. Acts of Transgression, an illustrated collection of 15 essays by respected researchers, critically probes where live art and socio-political turbulence intersect in post-apartheid South African society. Focusing on work by 25 contemporary artists, it adds significantly to the field.
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  • Acknowledgements
  • List of Illustrations
  • Introduction – Jay Pather and Catherine Boulle
  • Part One: Live Art in a Time Of Crisis
  • Chapter 1 Artistic Citizenship, Anatopism and the Elusive Public: Live Art in the City of Cape Town – Nomusa Makhubu
  • Chapter 2 Upsurge – Sarah Nuttall
  • Chapter 3 ‘Madam, I Can See Your Penis’: Disruption and Dissonance in the Work of Steven Cohen – Catherine Boulle
  • Chapter 4 The Impossibility of Curating Live Art – Jay Pather
  • Part Two: Loss, Language and Embodiment
  • Chapter 5 Corporeal Her Stories: Navigating Meaning in Chuma Sopotela’s Inkukhu Ibeke Iqanda through the Artist’s Words – Lieketso Dee Mohoto-Wa Thaluki
  • Chapter 6 A Different Kind of Inhabitance: Invocation and the Politics of Mourning in Performance Work by Tracey Rose and Donna Kukama – Gabrielle Goliath
  • Chapter 7 State of Emergency: Inkulumo-Mpendulwano (Dialogue) of Emergent Art When Ukukhuluma (Talking) is Not Enough – Nondumiso Lwazi Msimanga
  • Chapter 8 Space is the Place and Place is Time: Refiguring the Black Female Body as a Political Site in Performance – Same Mdluli Part Three: Rethinking the Archive, Reinterpreting Gesture
  • Chapter 9 don’t get it twisted: queer performativity and the emptying out of gesture – Bettina Malcomess
  • Chapter 10 Performing the Queer Archive: Strategies of Self-Styling on Instagram – Katlego Disemelo
  • Chapter 11 Effigy in the Archive: Ritualising Performance and the Dead in Contemporary South African Live Art Practice – Alan Parker
  • Part Four: Suppressed Histories and Speculative Futures
  • Chapter 12 To Heal a Nation: Performance and Memorialisation in the Zone of Nonbeing – Khwezi Gule
  • Chapter 13 Astronautus Afrikanus: Performing African Futurism – Mwenya B. Kabwe
  • Chapter 14 ‘Touched by an Angel’ (of History) in Athi-Patra Ruga’s The Future White Women of Azania – Andrew J. Hennlich
  • Chapter 15: Performance in Biopolitical Collectivism: A Study of Gugulective and iQhiya – Massa Lemu
  • Contributors
  • Index
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    This collection of essays coheres around conceptual themes that link the instability, volatility, precarity, and excess of live art itself to the instability, volatility, precarity, and excess of the contemporary moment in South Africa. – Catherine M. Cole, Professor of Drama, University of Washington.
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    Produktdetaljer

    ISBN
    9781776142798
    Publisert
    2019-02-01
    Utgiver
    Wits University Press; Wits University Press
    Høyde
    229 mm
    Bredde
    152 mm
    Aldersnivå
    P, 06
    Språk
    Product language
    Engelsk
    Format
    Product format
    Heftet
    Antall sider
    336

    Forfatter
    Redaktør

    Om bidragsyterne

    Catherine Boulle is a writer and researcher at the Institute for Creative Arts, University of Cape Town, where her work includes initiating new research on live art in South Africa.

    Jay Pather is a choreographer, curator and academic. He is Director of the Institute for Creative Arts at the University of Cape Town (UCT), and Associate Professor in UCT's Centre for Theatre, Dance and Performance Studies.